Travel List

Early travels
were a few streets
abroad, playmate
in the next street
baptismal church
next one over
holidays added
Swanage, Scotland
the Lakes, the Scillies
but sailing to
Australia
(flying was too
expensive then)
added a swathe
London – Tilbury
Rotterdam and
Lisbon, Dakar
Cape Town, Durban
destination
Perth – W. A.
Epic train rides
Kalgoorlie to
Port Pirie on to
Adelaide and
Melbourne, Sydney
driving up to
Brisbane, Gladstone
back to Melbourne
and sailing home
Wellington and
Rarotonga
Tahiti and
two weeks empty
Pacific – as
long as many
holidays now
Acapulco
on Christmas Day
then Panama
Caracas fuel
then Port-of-Spain
Southampton and
back home again.
School trip – Vichy
Uni field trips
Aix-en-Provence
Isle of Arran
illicit love
to Paris and
Malta via
France, Italy
and Sicily,
Tenerife
standing above
the clouds atop
smould’ring Teide
holidays to
Santorini
Naxos and Crete
almost living
for six months
Covid lockdown
new home Ireland
then relocate
to West Yorkshire
– songs in Iceland,
drive Morocco,
the Green Heart of
the Netherlands…
Now a few streets
are become an
expedition
I vacation
still, the very world
in my mind’s eye…

© Andrew Wilson, 2026

Over at dVerse Poets Pub, Grace in OpenLinkNight, invites us to ost a poem of our choice, and since I missed the deadline for Unlock with Lists, prompted by Björn Rudberg (brudberg) in Meeting the Bar: Critique and Craft, I am posting my list poem here. I drew inspiration from Rambling Man by Lemon Jelly…

The Rousseau Exchange – a Collaborature project

Merril D. Smith – a dVerse Poets Pub aficionado and I have made a collaborative project over on Collaborature, run by another dVerse luminary and friend, Melissa Lemay!

Rousseau Exchange #1

by Merril D. Smith and Andrew Wilson

Dear Merril,

I confess I am quite envious of your recent visit to the Henri Rousseau Exhibition since I have never seen his work in the flesh and I suspect it is even more vibrant than the many reproductions suggest. I wonder if the painting The Representatives of Foreign Powers Coming to Greet the Republic as a Sign of Peace was one of the paintings you saw?

For a celebration symbolic of Peace
why are there so many military uniforms in evidence?

Why is the celebration of the Republic by citizens dancing
more convincing than Rousseau’s imaginary “photo-op”?

How did the delegates who only merited small flags
wave their Olive branches with greater vigour to compensate?

Did the French people, whose fields hosted the First World War
appreciate the true irony of this painting…?

Best – Andrew

Dear Andrew,

Thank you for your letter. I send you good wishes on
the autumn winds blowing here, but who knows what destruction
they will bring.

I did not see The Representatives of the Foreign Powers Coming to Salute the Republic as a Gesture of Peace at the exhibition.
Did you know Picasso once owned it? And that he threw a party for the artist,
nicknamed “douanier,” the customs officer—though he called Rousseau a joke.

Perhaps, it’s not irony, but innocence,
a painting painted before either world wars,

perhaps it’s optimism or hope. Mostly, I wonder
about the lion. Rousseau seemed very fond of lions.

I think about his earlier work, La Guerre painted in 1894,
with its avenging-revenging goddess, an otherworldly horse,
a nightmare scene of broken bodies and devouring crows,
no attempt to make it heroic, this is visceral, brutal–

yet when I look at it again,
the white torsos of the fallen men
seem almost angelic.

What do you think, Andrew?

Rousseau Exchange #2

by Merril D. Smith and Andrew Wilson

Dear Merril

Thank you for your good wishes, borne on the wind,
sooner or later, every breath of America wends Eastward
you may have to wait a little longer for mine to reach you West-about…

I agree that the lion is fascinating, not just because, it is suggested, it represents French power, and as such, looks remarkably docile; but also, the lion is very strange looking. Rousseau was considered a Naïve or Primitive artist, but that doesn’t mean he can’t draw well but he had never been outside France, his animals are taken from illustrations in children’s books, and tableaux of taxidermy wild animals.

why did Rousseau choose to make the figure of War female
why is the French word for war, La Guerre feminine

dressed in blinding, angelic white as she leaps from her jet black horse
brandishing a sword and Death’s scythe to alight on the field of the fallen

is it for modesty that the one fallen person on the battlefield
whose front we see is fully-dressed – all others naked…

even before the big guns of the First World War
cannons could lay waste to trees as well as people

Here is another Rousseau painting of a lion “The repast of the Lion” – this time its head is quite lion-like…

if artists only painted what they had seen with their own eyes
and writers wrote only what they had experienced
though passed by the sensitivity readers
would we survive the dullness of reading or looking…

if the jungle was so plentifully provident of bananas
would we have ever left the trees and evolved

did the lion get indigestion from wolfing down the crocodile headfirst
and how well hidden are the elephants in Rousseau’s hothouse jungle

What are your thoughts, Merril?

Dear Andrew,

Thank you once again for your letter and good wishes. With climate change, who knows when and where the winds might blow? Or where they might blow us.

As for war and lions—it’s impossible
to know what Rousseau was thinking.

Perhaps the lion was symbolic—
lying down with peace?

Perhaps it was merely fantasy
or exoticism.

War, “la guerre,” must be female,
I suppose. But this one is striking,
a savage, feral child.

Not that era’s ideal image of childhood
or womanhood, for that matter.
No sugar and spice there. Only blood.

Nightmarish.

A curator said Rousseau was a story-giver,
not a storyteller—the pieces there,
for us to weave together.

Perhaps it’s better then, not to wonder
what he intended, but simply
to see where the images take us.

Did you know his lawyer got him acquitted—
in a trial for passing bad checks—

he told the judge Rousseau was too naïve
to commit the crime, just look at this painting,
he said,
where an American Indian wrestles
with a gorilla.

Rousseau probably knew
what the lawyer was going to say,

maybe even wrapped that persona
around himself, wearing It proudly,
the naif, the self-taught genius,
he was extremely self-confident, it seems.

I can see how his work with its
dream-like quality

appealed to the surrealists,

But in fact, I’m still not certain
if I like it.

No, I take that back,
I like some of it,

I do have a fondness for dreams.

You mentioned the odd-looking lion,
but Andrew have you seen the children
Rousseau painted?

Look at the daughter in the carriage here—
how tiny she is! How large the father driving!
And the dogs.
I think Rousseau must have liked dogs.

There is a third and final post to come and I will append it here when it “drops”!

What’s in a name?

Afternoon Delight

A rose called Afternoon Delight
Recalls love, perhaps a person
But the good Baroness Rothschild
And her erstwhile husband, Baron
With roses, we commemorate
Their wealth and rank of State
With both hybrid and heritage
Bush Rose’s names and image
But who was the Beautiful Girl
Who Floribunda Betty Cuthbert
Perhaps a very Blushing Knockout
Or a Brilliant Pink Iceberg
Be we infamous or famous
Will a rose one day recall us

Baroness Rothschild

© Andrew Wilson, 2026

Beautiful Girl

Over at dVerse Poets Pub, merrildsmith in Poetics invites us to celebrate the names of roses, a long list of which you can find here (from which the photos are taken).

Betty Cuthbert

Blushing Knockout

Brilliant Pink Iceberg

Grown in Milk Wood

In retirement hush
the noise of the babies
whom in the long ago years are
soundly sleeping,
grown by the farmers,
brought up on shore by the fishers,
might become the tradesmen,
– themselves the future and
one day pensioners,
could apprentice to a cobbler,
learn to garden children as a schoolteacher,
tread the rounds of streets as a postman,
feed the masses as a restaurateur and
 pull pints as a publican,
evade as long as possible the undertaker
sire their own babies with a wife and
perhaps even tangle with the fancy woman,
lose their way as a drunkard,
stitch dreams as a dressmaker,
espouse piety as a preacher,
guard the peace as a policeman
vainly trying to contain the webfoot
raucously vibrant, cocklewomen
in glorious opposition and
contrast to the tidy wives…

© Andrew Wilson, 2026

After the second paragraph of Dylan Thomas’s Under Milk Wood – A Play for Voices, 1954.

Over at dVerse Poets Pub, Grace in FormForAllPoetry Forms, invites us to write a Golden Shovel in which you:
Choose a line from a poem that resonates with you.
*Build your poem so each line ends with a word from that line.
*Keep the words in order, forming the original line down the right margin.
*Let your poem move in its own direction.  Surprise us!
*Include attribution (after [poet])

Strictly speaking, the Golden Shovel should use just one word from the original poem at the end of each line, but since both the original text and the new poem are lists, it didn’t seem right to separate Thomas’s original adjectives in some instances, or have a surfeit of definite articles…

Gratitude

Dear Mum and Dad
I carry you in my heart and head
for I neither believe
and most certainly hope
that you not looking down
from some heavenly crows-nest

for most of your lives
you did not believe either
and your latter-day church going
was, I think, more social
– a way to integrate in
the many places you moved to

but your taking us to church
not only gave us the choice
but sharpened my scepticism
into a personal humanist credo
according to which
I carry you in my heart and head

I thank you, Mum
for refusing to teach me to cook
reserving that for my sisters
and for launching my student cuisine
with the gift of a Sabbatier knife
and the condescending choice

of “Cooking in a Bedsit”
which made me seek out
the racier author Elizabeth David
sailing round the Med with her married man
garnering recipes to change
the cooking of a nation

and Dad, though you never
took me sailing, you taught me
to whip finish a rope and splice an eye
to coil a cable neatly and I took
pride in your designing a dinghy
and slipped into design too

I carry you in my heart and head
but I wanted to make concrete
these, amongst many things
I am grateful you gave me
– to put them out into the world
just as you birthed and shaped me…

© Andrew Wilson, 2026

You can read more about my parents in my last year’s A to Z
https://how-would-you-know.com/a-to-z-2025-challenge-dad-draughtsman-designer/
https://how-would-you-know.com/a-to-z-2025-challenge-elsie-jill-mum/

Over at dVerse Poets Pub, Laura Bloomsbury in Meeting the Bar: Critique and Craft, invites us to write an Epistolary Poem, either as a Verse Epistle, or, as I have chosen to do, a Prose Poetry Epistle. I will also share this with my Ten Things of Thankful group…

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Intimacy Ambush

Immediately after the accident
the woman in the car behind me
came up to my driver’s door
and asked if I was alright
I wound down the window
answered that I was
and so it seemed to me…
I couldn’t move my right leg
and I couldn’t see why not
but I was still sitting upright
in my seat belt
there was no blood
but this woman knew differently
she saw I was in shock and
before I had even properly registered her face
she opened the van door behind me
climbed in, and kneeling
reached her arm around my headrest
to cradle my head with her arm
holding it upright.

The farmer had backed off his tractor
stood a little way away
phoning the emergency services.

It seemed the most natural thing
in the world to feel the soft bare arm
of this woman, now invisible to me
her disembodied voice near to my ear
reassuring me that it would be alright
and I should relax, keep still
– she was a nurse she said.
Could there have been a
more fortuitous person to
be following me, I thought
as I gave myself up to
her gentle, minimal ministration
of simply holding me
– talking to me
showing me how to put myself
in others’ hands, as I was now to do
for the next few months
then fire brigade and ambulance
arrived and she slipped away
passing me on as it were
and I think of her kindness
which though professionally practised
ambushed us both on a remote road
outside of work, and created
a moment of intimacy
that took away the trauma…

© Andrew Wilson, 2026

Over at dVerse Poets Pub,  sanaarizvi in OpenLinkNight, invites us to the live meeting on Saturday and to post a poem to read (if we successfully navigate the temporarily out-of-sync time zones – we Brits don’t put the clocks forward till 29th March!). This is a recent poem from my writers group and was written ITSO The Kindness by Jan Beatty

A Museum of Unexpected Delights…

If a person spends all their life collecting
will they not want to acquire a museum?

Does a building become a museum
by simply housing a collection?

How many different ways
can a collection be curated?

If a collection of fossils is curated by the collector’s
age when collected, does it mean more

than if it were sorted by geological age
or by phylum, species or personal preference?

Would a 21st-century child collector of fossils prefer to find
a whole, perfect ammonite or a mere tooth from a dinosaur?

Could an ammonite born four hundred and ten million years ago
envisage being unearthed by a person in the 21st Century?

If a museum were curated by personal preference
would visitors value it or not understand?

What things are valid for inclusion
in a person’s personal museum?

Must a museum contain only tangible objects
or should ideas, smells, sounds and memories be included?

Can memories be evoked more effectively
for a visitor by words or photographs?

Should a museum café offer visitors
only Madeleines or a range of memory prompts?

If a visit to a museum prompts a visitor’s memory,
should they donate it for all to experience?

If more than one collection is experienced
in a museum, will they spark synthesis

in the mind of the visitor and will that match
the intention of the Curator?

Should the aim of curated museum collections be
to educate, to amuse or inspire new collectors

and why do seekers of love often
find unexpected delight in museums?

© Andrew Wilson, 2026

Over at dVerse Poets Pub, Grace in Craft and ToolkitMeeting the Bar: Critique and Craft, invites us to frame a poem in unanswered questions, perhaps in the style of Pablo Neruda’s “Book of Questions” – a book I have treasured since Laura introduced me to it in a prompt…

Compensation

Did I foresee
or was it anticipation
I liked to imagine the worst that
could happen – perhaps
to disarm the future
remove the sting
inoculate

When it began
mercifully slowly
I was not taken by surprise
I had a plan to cope
wasted no time
learning how
to navigate
blindness

Routes I had
taken for granted
were walked with mindfulness
recording all the sensual input
paying least attention to
fading sight except as an
index of impressions
mentally mapped

I decluttered
my domicile of all
I wouldn’t need or
couldn’t trust myself to
do safely any more
books and tools
both were a
wrench

I kept what
I thought I might
manage – basic tools
just in case I found I could
and books someone might read
out loud to me if such an
one might be found
to share my
treasured

And my most
treasured – music
well listening would not
be a problem but I wanted
to make music, to sing songs
so set about learning favourites
by heart, words and chords
which laziness had always
mitigated against
before

Did memory
which is not a sense
nevertheless swell in
compensation or was it always in me
to perform differently and without
seeing my audience, stage
fright diminished so it
was not a total loss
– blindness…

© Andrew Wilson, 2026

Can anticipating the worst that can happen, make it easier when and if they do? What do you think…

This post is a twofer – I missed the deadline on “I’d Rather Go Blind” Melissa Lemay‘s prompt to us in Uncategorized, over at dVerse Poets Pub, and so I am posting it for Open Link #401 and February Live hosted by  Björn Rudberg (brudberg). There is also an invitation and a link to the live event on Saturday at 10 AM New York Time. https://meet.google.com/kis-bmzs-ifc

Glow

He was searching for a memory, a glowing memory, a memory suffused with a particular glow. Searching was not really the right word, implying as it does, conscious choice, and these memories were like a streaming series, as soon as one finished, another began, irrespective of whether he had pressed Not For Me, Liked or Loved. Not For Me was hardly an option, since all these memories were his in the first place and now his mind was serving them up willy nilly, the good and the bad, for who has not got bad memories, shameful memories, memories of decisions taken, or avoided, that led to unfortunate consequences. “Non, je ne regrette rien” might be a nice and sentimental idea, but truthfully, few people could, in all honesty, fully lay claim to it.

He remembered, age twelve or so, how the onset of Summer heat made the tops of his ears swell, the skin blistering and flaking and he had been given antibiotics which, in those years soon after it’s wartime discovery, still had the cachet of a wonder drug and he had always wondered what they had done for his condition. Hot swollen ears were hardly the kind of glow he was seeking.

Standing in the hot air streaming out of the louvred doors in the funnel of a ship crossing the Tasman Sea on his families return from Australia, back when ship journeys were still cheaper than flying. Riding a storm, clinging hard to a railing having climbed up the ladder marked Access Forbidden, but no passengers or crew were abroad in the wind and squalls of rain, to witness the fourteen year old revelling in the view of the ship plunging through the seas from his perch, kept warm by heat direct from the engine room below – but that wasn’t it either.

The whole trip to Australia had been a roller-coaster of experiences, the journey out round the Cape of Good Hope because the Suez Canal was closed due to the 6 Day War and the view from the top of Table Mountain, the heat of the South African sun ameliorated by the elevation. Crossing the Nullarbor Plain by train, flat and featureless and truly without a single tree, as his father had delighted in pointing out, a man who had learned enough Latin to get into Oxford in a week, as his mother delighted in pointing out whenever his exam results flagged. The only excitement in that two day and a night crossing the Nullarbor – a herd of feral camels left over from building the railway and thriving in that desert. The English Summer strength sunshine on the deserted Australian Winter Bondi Beach, the four thousand mile round trip up to Queensland by car and back south on dirt roads, the opal mines at Lightning Ridge. The throbbing glow of his hands after being caned for insubordination by the Czech, French teacher at Vaucluse High School that had given him temporary hero status amongst his fellow pupils – but that definitely wasn’t the right glow.

He remembered lying naked on the deserted beach in Naxos, on a post-season holiday with Janet, the sun, still with enough strength to burn unless sun protection was applied. That was more like the glow he was seeking – until a local widow dressed in black, walked all the way down the beach to berate the two shameless foreigners and at the same time, perhaps to get a good look at him. Glow dispelled.

The satisfaction of finishing a sign on some shopfront, the fresh gleam of new paint and then handing over the invoice and receiving a cheque – gleam but not glow, except for a few special jobs. The mural of WB Yeats on The Winding Stair Bookshop, named for one of Yeats’ poetry collections – a mural drawing out images from so many poems, studied at school and still redolent with meaning – now that job brought a glow of pride every time he mentioned it to a prospective customer, by way of a calling card, as it were, and it was rare that the customer did not know the mural and equally rare that it didn’t clinch the deal…

And later, after the accident (he managed to swerve away from that memory) when signwriting was no longer a possibility, the turn to teaching – first in the local Primary School. He remembered the expedition down to the beach, teaching the excited youngsters where best to look for the tiny Irish cowrie shells and telling, whilst they searched, them how in the South Pacific, necklaces of cowrie shells were used as currency, including for the purchase of brides – then the general laughter as one young fellow, successfully holding up a tiny shell, quipped “Well you wouldn’t get much of a wife for this now, would you!”. A fond memory but the only glow about it was that of the Summer sunshine on that Sligo shore.

The joy of cradling his new grandsons in his arms, not his blood – Janet and he had no children between them, but these grandchildren from his stepdaughters, were his by upbringing, teaching them the joy of puns, of playing air-guitar to Lou Reed’s “I’m Waiting For My Man” whilst being careful not to explain what the song was about… Plenty of little glowing moments dotting the years before they grew up and left home to pursue their own glowing lives. After that the shared moments were fewer and farther between, but no less glowing. Now he looked forward to their visits with children of their own, finally including a little girl, a great granddaughter after six grandsons – but they were brief and more overwhelming than glowing.

He opened his eyes and took in the single, though spacious and well-appointed room to which his age had reduced him. A constellation of LED’s of various colours shone in the dark – overhead, the steady green light of the smoke detector with its occasional red flash to reassure that the backup battery was functioning. Another red light on the pull-chord for the shower, outside the en suite and again by the bed, in case he needed to summon help. His music centre had a plethora of twinkling lights and white bars of light rising and falling where the equaliser measured the music even though the volume was turned down but not off. Lastly his laptop flashing a small green light that lit up, faintly, the pile of books to be read, beside it. His connection to what friends were left, scattered around the world, and to family, busy about the middle years of their lives. He had once taken a photograph on the Night setting of his phone camera, the constellation of lights scribbled because of the slight tremor in his hands, but the room illuminated nevertheless by the glow of LED luminance. But that wasn’t the glow he sought, either…

When the James, the resident in Room 24 and a favourite amongst staff and residents alike due to his unflagging positivity, failed to appear at breakfast, a nurse was despatched to check on him. She found him, pulseless, staring at the ceiling, the glow of life gone from his eyes…

© Andrew Wilson, 2026

This is a short story written for Deadlines – 12 Short stories in 12 Months and since you can’t read it on the site – unless you are a participant – I am posting here for anyone who chances upon it and cares to read…

8th February: Ten Things of Thankful

Ten things for which I give thanks this week…

1 – Although I never know in advance, what I am going to mention here, I am grateful to be of sound, and creative mind and faced with a blank page (screen) I trust that things will come to me.

2 – I was grateful to receive an email from Afshan, an Indian woman who I “met” during the A to Z Challenge 2022 – you can read about her here and I hope she may decide to participate here. Afshan is just one of many lovely people I have met through this blog and keep in touch with…

3 – My Critique Partner Nik shared his 12 in 12 month short story and I have nearly finished my second month’s story to the prompt of “Shuttered” – I will be chatting with Nik later this afternoon (for me) morning in Minneapolis… You cannot read the stories unless you are participating but I can share mine with by posting it here (next post)…

4 – I received a late “Bonus” postcard from lkast July-August Poetry Postcard Festival. Most of the participants are American but they publish a list of all the non-American participants so Americans can send a bonus card to them. So this is my second card from Grant Swados of New York – once on the regular list I was on and again on the bonus list. He has framed the original (postcard-sized) painting I sent him and sent me a reproduction of one of his paintings entitled “The Llama Lisa) a pastiche of the Mona Lisa featuring a llama. Also, he sent a poem about playing darts – a game that makes me think of English pubs, but since he sent the card, rather like when you have bought a new car, I keep seeing dartboards in American TV dramas all the time. Two countries united by a love of tiny missiles…

The postcard I originally sent to Grant…

5 – My Continuous Blood Monitoring experiment is bearing fruit, I am losing weight slowly by keeping my carb count down to an average of 159 grams per day. The drug trial I am participating in, a lower dose of the “weight-loss” drug Semaglutide, might also be helping – I do feel less inclined to snack, am content with smaller meals – but that is not the main point of the study – it is to test whether, at this lower dose, semaglutide helps prevent cardiac events and I have to say that the feeling of queasiness and wind makes me question whether it is worth the price (if it works). I am pretty sure that after the “Randomisation” interview, I am on the real and not the placebo pills – only 4 1/2 years of the study to go – burp!

6 – I have finished “C” in the A to Z and will have time tomorrow to work on “D” which is for Decoration of Fabrics as well as a list of seven fabrics beginning with D

Damask

Dimity

Dobby (see also Piqué)

Double cloth

Double Crepe

Double Georgette

Drill

Duchesse

Dupioni

It is proving to be the most work of any of my A to Z’s so far…

7 – I am a creature of habit and so my washing is in – half already in the dryer and half about to be hung up – Sundays routine is Sunday routine…

8 – Glad to be participating here at TTOT – we had 12 posts last week and as Afshan grat#2 said it inspired her with positivity, I guess its working right!

9 – reminded I have 3 TTOT to visit…

10 – Speaking to my sister in Nova Scotia in an hour…

Have your best possible week y’all…

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