Early travels were a few streets abroad, playmate in the next street baptismal church next one over holidays added Swanage, Scotland the Lakes, the Scillies but sailing to Australia (flying was too expensive then) added a swathe London – Tilbury Rotterdam and Lisbon, Dakar Cape Town, Durban destination Perth – W. A. Epic train rides Kalgoorlie to Port Pirie on to Adelaide and Melbourne, Sydney driving up to Brisbane, Gladstone back to Melbourne and sailing home Wellington and Rarotonga Tahiti and two weeks empty Pacific – as long as many holidays now Acapulco on Christmas Day then Panama Caracas fuel then Port-of-Spain Southampton and back home again. School trip – Vichy Uni field trips Aix-en-Provence Isle of Arran illicit love to Paris and Malta via France, Italy and Sicily, Tenerife standing above the clouds atop smould’ring Teide holidays to Santorini Naxos and Crete almost living for six months Covid lockdown new home Ireland then relocate to West Yorkshire – songs in Iceland, drive Morocco, the Green Heart of the Netherlands… Now a few streets are become an expedition I vacation still, the very world in my mind’s eye…
Merril D. Smith – a dVerse Poets Pub aficionado and I have made a collaborative project over on Collaborature, run by another dVerse luminary and friend, Melissa Lemay!
Rousseau Exchange #1
by Merril D. Smith and Andrew Wilson
Dear Merril,
I confess I am quite envious of your recent visit to the Henri Rousseau Exhibition since I have never seen his work in the flesh and I suspect it is even more vibrant than the many reproductions suggest. I wonder if the painting The Representatives of Foreign Powers Coming to Greet the Republic as a Sign of Peace was one of the paintings you saw?
For a celebration symbolic of Peace why are there so many military uniforms in evidence?
Why is the celebration of the Republic by citizens dancing more convincing than Rousseau’s imaginary “photo-op”?
How did the delegates who only merited small flags wave their Olive branches with greater vigour to compensate?
Did the French people, whose fields hosted the First World War appreciate the true irony of this painting…?
Best – Andrew
Dear Andrew,
Thank you for your letter. I send you good wishes on the autumn winds blowing here, but who knows what destruction they will bring.
I did not see The Representatives of the Foreign Powers Coming to Salute the Republic as a Gesture of Peace at the exhibition. Did you know Picasso once owned it? And that he threw a party for the artist, nicknamed “douanier,” the customs officer—though he called Rousseau a joke.
Perhaps, it’s not irony, but innocence, a painting painted before either world wars,
perhaps it’s optimism or hope. Mostly, I wonder about the lion. Rousseau seemed very fond of lions.
I think about his earlier work, La Guerre painted in 1894, with its avenging-revenging goddess, an otherworldly horse, a nightmare scene of broken bodies and devouring crows, no attempt to make it heroic, this is visceral, brutal–
yet when I look at it again, the white torsos of the fallen men seem almost angelic.
What do you think, Andrew?
Rousseau Exchange #2
by Merril D. Smith and Andrew Wilson
Dear Merril
Thank you for your good wishes, borne on the wind, sooner or later, every breath of America wends Eastward you may have to wait a little longer for mine to reach you West-about…
I agree that the lion is fascinating, not just because, it is suggested, it represents French power, and as such, looks remarkably docile; but also, the lion is very strange looking. Rousseau was considered a Naïve or Primitive artist, but that doesn’t mean he can’t draw well but he had never been outside France, his animals are taken from illustrations in children’s books, and tableaux of taxidermy wild animals.
why did Rousseau choose to make the figure of War female why is the French word for war, La Guerre feminine
dressed in blinding, angelic white as she leaps from her jet black horse brandishing a sword and Death’s scythe to alight on the field of the fallen
is it for modesty that the one fallen person on the battlefield whose front we see is fully-dressed – all others naked…
even before the big guns of the First World War cannons could lay waste to trees as well as people
Here is another Rousseau painting of a lion “The repast of the Lion” – this time its head is quite lion-like…
if artists only painted what they had seen with their own eyes and writers wrote only what they had experienced though passed by the sensitivity readers would we survive the dullness of reading or looking…
if the jungle was so plentifully provident of bananas would we have ever left the trees and evolved
did the lion get indigestion from wolfing down the crocodile headfirst and how well hidden are the elephants in Rousseau’s hothouse jungle
What are your thoughts, Merril?
Dear Andrew,
Thank you once again for your letter and good wishes. With climate change, who knows when and where the winds might blow? Or where they might blow us.
As for war and lions—it’s impossible to know what Rousseau was thinking.
Perhaps the lion was symbolic— lying down with peace?
Perhaps it was merely fantasy or exoticism.
War, “la guerre,” must be female, I suppose. But this one is striking, a savage, feral child.
Not that era’s ideal image of childhood or womanhood, for that matter. No sugar and spice there. Only blood.
Nightmarish.
A curator said Rousseau was a story-giver, not a storyteller—the pieces there, for us to weave together.
Perhaps it’s better then, not to wonder what he intended, but simply to see where the images take us.
Did you know his lawyer got him acquitted— in a trial for passing bad checks—
he told the judge Rousseau was too naïve to commit the crime, just look at this painting, he said, where an American Indian wrestles with a gorilla.
Rousseau probably knew what the lawyer was going to say,
maybe even wrapped that persona around himself, wearing It proudly, the naif, the self-taught genius, he was extremely self-confident, it seems.
I can see how his work with its dream-like quality
appealed to the surrealists,
But in fact, I’m still not certain if I like it.
No, I take that back, I like some of it,
I do have a fondness for dreams.
You mentioned the odd-looking lion, but Andrew have you seen the children Rousseau painted?
Look at the daughter in the carriage here— how tiny she is! How large the father driving! And the dogs. I think Rousseau must have liked dogs.
There is a third and final post to come and I will append it here when it “drops”!
A rose called Afternoon Delight Recalls love, perhaps a person But the good Baroness Rothschild And her erstwhile husband, Baron With roses, we commemorate Their wealth and rank of State With both hybrid and heritage Bush Rose’s names and image But who was the Beautiful Girl Who FloribundaBetty Cuthbert Perhaps a veryBlushing Knockout Or a Brilliant Pink Iceberg Be we infamous or famous Will a rose one day recall us…
Over at dVerse Poets Pub, merrildsmith in Poetics invites us to celebrate the names of roses, a long list of which you can find here (from which the photos are taken).
In retirement hush the noise of the babies whom in the long ago years are soundly sleeping, grown by the farmers, brought up on shore by the fishers, might become the tradesmen, – themselves the future and one day pensioners, could apprentice to a cobbler, learn to garden children as a schoolteacher, tread the rounds of streets as a postman, feed the masses as a restaurateur and pull pints as a publican, evade as long as possible the undertaker sire their own babies with a wife and perhaps even tangle with the fancy woman, lose their way as a drunkard, stitch dreams as a dressmaker, espouse piety as a preacher, guard the peace as a policeman vainly trying to contain the webfoot raucously vibrant, cocklewomen in glorious opposition and contrast to the tidy wives…
Over at dVerse Poets Pub, Grace in FormForAll, Poetry Forms, invites us to write a Golden Shovel in which you: Choose a line from a poem that resonates with you. *Build your poem so each line ends with a word from that line. *Keep the words in order, forming the original line down the right margin. *Let your poem move in its own direction. Surprise us! *Include attribution (after [poet])
Strictly speaking, the Golden Shovel should use just one word from the original poem at the end of each line, but since both the original text and the new poem are lists, it didn’t seem right to separate Thomas’s original adjectives in some instances, or have a surfeit of definite articles…
Dear Mum and Dad I carry you in my heart and head for I neither believe and most certainly hope that you not looking down from some heavenly crows-nest
for most of your lives you did not believe either and your latter-day church going was, I think, more social – a way to integrate in the many places you moved to
but your taking us to church not only gave us the choice but sharpened my scepticism into a personal humanist credo according to which I carry you in my heart and head
I thank you, Mum for refusing to teach me to cook reserving that for my sisters and for launching my student cuisine with the gift of a Sabbatier knife and the condescending choice
of “Cooking in a Bedsit” which made me seek out the racier author Elizabeth David sailing round the Med with her married man garnering recipes to change the cooking of a nation
and Dad, though you never took me sailing, you taught me to whip finish a rope and splice an eye to coil a cable neatly and I took pride in your designing a dinghy and slipped into design too
I carry you in my heart and head but I wanted to make concrete these, amongst many things I am grateful you gave me – to put them out into the world just as you birthed and shaped me…
Immediately after the accident the woman in the car behind me came up to my driver’s door and asked if I was alright I wound down the window answered that I was and so it seemed to me… I couldn’t move my right leg and I couldn’t see why not but I was still sitting upright in my seat belt there was no blood but this woman knew differently she saw I was in shock and before I had even properly registered her face she opened the van door behind me climbed in, and kneeling reached her arm around my headrest to cradle my head with her arm holding it upright.
The farmer had backed off his tractor stood a little way away phoning the emergency services.
It seemed the most natural thing in the world to feel the soft bare arm of this woman, now invisible to me her disembodied voice near to my ear reassuring me that it would be alright and I should relax, keep still – she was a nurse she said. Could there have been a more fortuitous person to be following me, I thought as I gave myself up to her gentle, minimal ministration of simply holding me – talking to me showing me how to put myself in others’ hands, as I was now to do for the next few months then fire brigade and ambulance arrived and she slipped away passing me on as it were and I think of her kindness which though professionally practised ambushed us both on a remote road outside of work, and created a moment of intimacy that took away the trauma…
Over at dVerse Poets Pub, sanaarizvi in OpenLinkNight, invites us to the live meeting on Saturday and to post a poem to read (if we successfully navigate the temporarily out-of-sync time zones – we Brits don’t put the clocks forward till 29th March!). This is a recent poem from my writers group and was written ITSO The Kindness by Jan Beatty
Did I foresee or was it anticipation I liked to imagine the worst that could happen – perhaps to disarm the future remove the sting inoculate
When it began mercifully slowly I was not taken by surprise I had a plan to cope wasted no time learning how to navigate blindness
Routes I had taken for granted were walked with mindfulness recording all the sensual input paying least attention to fading sight except as an index of impressions mentally mapped
I decluttered my domicile of all I wouldn’t need or couldn’t trust myself to do safely any more books and tools both were a wrench
I kept what I thought I might manage – basic tools just in case I found I could and books someone might read out loud to me if such an one might be found to share my treasured
And my most treasured – music well listening would not be a problem but I wanted to make music, to sing songs so set about learning favourites by heart, words and chords which laziness had always mitigated against before
Did memory which is not a sense nevertheless swell in compensation or was it always in me to perform differently and without seeing my audience, stage fright diminished so it was not a total loss – blindness…
He was searching for a memory, a glowing memory, a memory suffused with a particular glow. Searching was not really the right word, implying as it does, conscious choice, and these memories were like a streaming series, as soon as one finished, another began, irrespective of whether he had pressed Not For Me, Liked or Loved. Not For Me was hardly an option, since all these memories were his in the first place and now his mind was serving them up willy nilly, the good and the bad, for who has not got bad memories, shameful memories, memories of decisions taken, or avoided, that led to unfortunate consequences. “Non, je ne regrette rien” might be a nice and sentimental idea, but truthfully, few people could, in all honesty, fully lay claim to it.
He remembered, age twelve or so, how the onset of Summer heat made the tops of his ears swell, the skin blistering and flaking and he had been given antibiotics which, in those years soon after it’s wartime discovery, still had the cachet of a wonder drug and he had always wondered what they had done for his condition. Hot swollen ears were hardly the kind of glow he was seeking.
Standing in the hot air streaming out of the louvred doors in the funnel of a ship crossing the Tasman Sea on his families return from Australia, back when ship journeys were still cheaper than flying. Riding a storm, clinging hard to a railing having climbed up the ladder marked Access Forbidden, but no passengers or crew were abroad in the wind and squalls of rain, to witness the fourteen year old revelling in the view of the ship plunging through the seas from his perch, kept warm by heat direct from the engine room below – but that wasn’t it either.
The whole trip to Australia had been a roller-coaster of experiences, the journey out round the Cape of Good Hope because the Suez Canal was closed due to the 6 Day War and the view from the top of Table Mountain, the heat of the South African sun ameliorated by the elevation. Crossing the Nullarbor Plain by train, flat and featureless and truly without a single tree, as his father had delighted in pointing out, a man who had learned enough Latin to get into Oxford in a week, as his mother delighted in pointing out whenever his exam results flagged. The only excitement in that two day and a night crossing the Nullarbor – a herd of feral camels left over from building the railway and thriving in that desert. The English Summer strength sunshine on the deserted Australian Winter Bondi Beach, the four thousand mile round trip up to Queensland by car and back south on dirt roads, the opal mines at Lightning Ridge. The throbbing glow of his hands after being caned for insubordination by the Czech, French teacher at Vaucluse High School that had given him temporary hero status amongst his fellow pupils – but that definitely wasn’t the right glow.
He remembered lying naked on the deserted beach in Naxos, on a post-season holiday with Janet, the sun, still with enough strength to burn unless sun protection was applied. That was more like the glow he was seeking – until a local widow dressed in black, walked all the way down the beach to berate the two shameless foreigners and at the same time, perhaps to get a good look at him. Glow dispelled.
The satisfaction of finishing a sign on some shopfront, the fresh gleam of new paint and then handing over the invoice and receiving a cheque – gleam but not glow, except for a few special jobs. The mural of WB Yeats on The Winding Stair Bookshop, named for one of Yeats’ poetry collections – a mural drawing out images from so many poems, studied at school and still redolent with meaning – now that job brought a glow of pride every time he mentioned it to a prospective customer, by way of a calling card, as it were, and it was rare that the customer did not know the mural and equally rare that it didn’t clinch the deal…
And later, after the accident (he managed to swerve away from that memory) when signwriting was no longer a possibility, the turn to teaching – first in the local Primary School. He remembered the expedition down to the beach, teaching the excited youngsters where best to look for the tiny Irish cowrie shells and telling, whilst they searched, them how in the South Pacific, necklaces of cowrie shells were used as currency, including for the purchase of brides – then the general laughter as one young fellow, successfully holding up a tiny shell, quipped “Well you wouldn’t get much of a wife for this now, would you!”. A fond memory but the only glow about it was that of the Summer sunshine on that Sligo shore.
The joy of cradling his new grandsons in his arms, not his blood – Janet and he had no children between them, but these grandchildren from his stepdaughters, were his by upbringing, teaching them the joy of puns, of playing air-guitar to Lou Reed’s “I’m Waiting For My Man” whilst being careful not to explain what the song was about… Plenty of little glowing moments dotting the years before they grew up and left home to pursue their own glowing lives. After that the shared moments were fewer and farther between, but no less glowing. Now he looked forward to their visits with children of their own, finally including a little girl, a great granddaughter after six grandsons – but they were brief and more overwhelming than glowing.
He opened his eyes and took in the single, though spacious and well-appointed room to which his age had reduced him. A constellation of LED’s of various colours shone in the dark – overhead, the steady green light of the smoke detector with its occasional red flash to reassure that the backup battery was functioning. Another red light on the pull-chord for the shower, outside the en suite and again by the bed, in case he needed to summon help. His music centre had a plethora of twinkling lights and white bars of light rising and falling where the equaliser measured the music even though the volume was turned down but not off. Lastly his laptop flashing a small green light that lit up, faintly, the pile of books to be read, beside it. His connection to what friends were left, scattered around the world, and to family, busy about the middle years of their lives. He had once taken a photograph on the Night setting of his phone camera, the constellation of lights scribbled because of the slight tremor in his hands, but the room illuminated nevertheless by the glow of LED luminance. But that wasn’t the glow he sought, either…
When the James, the resident in Room 24 and a favourite amongst staff and residents alike due to his unflagging positivity, failed to appear at breakfast, a nurse was despatched to check on him. She found him, pulseless, staring at the ceiling, the glow of life gone from his eyes…
This is a short story written for Deadlines – 12 Short stories in 12 Months and since you can’t read it on the site – unless you are a participant – I am posting here for anyone who chances upon it and cares to read…
1 – Although I never know in advance, what I am going to mention here, I am grateful to be of sound, and creative mind and faced with a blank page (screen) I trust that things will come to me.
2 – I was grateful to receive an email from Afshan, an Indian woman who I “met” during the A to Z Challenge 2022 – you can read about her here and I hope she may decide to participate here. Afshan is just one of many lovely people I have met through this blog and keep in touch with…
3 – My Critique Partner Nik shared his 12 in 12 month short story and I have nearly finished my second month’s story to the prompt of “Shuttered” – I will be chatting with Nik later this afternoon (for me) morning in Minneapolis… You cannot read the stories unless you are participating but I can share mine with by posting it here (next post)…
4 – I received a late “Bonus” postcard from lkast July-August Poetry Postcard Festival. Most of the participants are American but they publish a list of all the non-American participants so Americans can send a bonus card to them. So this is my second card from Grant Swados of New York – once on the regular list I was on and again on the bonus list. He has framed the original (postcard-sized) painting I sent him and sent me a reproduction of one of his paintings entitled “The Llama Lisa) a pastiche of the Mona Lisa featuring a llama. Also, he sent a poem about playing darts – a game that makes me think of English pubs, but since he sent the card, rather like when you have bought a new car, I keep seeing dartboards in American TV dramas all the time. Two countries united by a love of tiny missiles…
The postcard I originally sent to Grant…
5 – My Continuous Blood Monitoring experiment is bearing fruit, I am losing weight slowly by keeping my carb count down to an average of 159 grams per day. The drug trial I am participating in, a lower dose of the “weight-loss” drug Semaglutide, might also be helping – I do feel less inclined to snack, am content with smaller meals – but that is not the main point of the study – it is to test whether, at this lower dose, semaglutide helps prevent cardiac events and I have to say that the feeling of queasiness and wind makes me question whether it is worth the price (if it works). I am pretty sure that after the “Randomisation” interview, I am on the real and not the placebo pills – only 4 1/2 years of the study to go – burp!
6 – I have finished “C” in the A to Z and will have time tomorrow to work on “D” which is for Decoration of Fabrics as well as a list of seven fabrics beginning with D
Damask
Dimity
Dobby (see also Piqué)
Double cloth
Double Crepe
Double Georgette
Drill
Duchesse
Dupioni
It is proving to be the most work of any of my A to Z’s so far…
7 – I am a creature of habit and so my washing is in – half already in the dryer and half about to be hung up – Sundays routine is Sunday routine…
8 – Glad to be participating here at TTOT – we had 12 posts last week and as Afshan grat#2 said it inspired her with positivity, I guess its working right!
9 – reminded I have 3 TTOT to visit…
10 – Speaking to my sister in Nova Scotia in an hour…