Spies

What is a spy if not a cursed liar
Who for love puts hand in fiercest fire
But not the love given to a sweet woman
The love of country is inhuman.

We watched a French, great tragedy conclude
Where agents of The Bureau were deluded
Believing they could steer their star-crossed fate
Clinging to the happy ending till too late.

For once your life is built on falsehood complex
The web you weave the fates will always vex
And you must pay for secrets stolen, finally
No matter how handlers and bosses rally

The cause of saving hapless agents’ lives
Is hard on lovers, colleagues, friends and wives
All pawns in what is known as the Great Game
The spy is destined for a life without fame

And if their life of infamy be revealed
Be sure the fates no happiness will deal.

© Andrew Wilson, 2023

This poem was written in response to a challenge from Posted by Björn Rudberg (brudberg) in Poetry Forms on dVerse – The Poet’s Pub, to write a Heroic Sonnet in iambic pentameter – you can read about it here.

My partner and I have been binge-watching a five-series drama made by the French company Canal called The Bureau. Since the French are famed for their interest in love, this drama, whilst being a cracking, edge-of-your-seat tale of the life of spies, also examines the philosophical implications for the loves of those who make their living by living a lie – can they find happiness? Since the poem might be spoiler enough, I will say no more…

This is the first time I have attempted a Sonnet in Iambic Pentameter – something I vaguely remember being taught in school but had to resort to Wikpedia for the finer points, including all the exceptions to the rules which make lines memorable – I hope I have done it justice. I guess that we many of us have this poetry form flowing through our veins with so many great poets and playwrights having embraced the form.

A Little Touch of Schmilsson in the Night

When successful singer
and writer of songs
Harry Nilsson
schmoosed his foray
into the Great American Songbook
he little knew
it would ruin his career.

A Little Touch of Schmilsson in the Night
was a decade before such
sentimental standards
would slip down easily
sumptuously
with the richness
of a cocktail
knowingly too sweet
but too delicious to pass up.

The ninth album
following a trail
of hit songs
embedded in each one
nothing prepared his fans
for this shift in pace
and orchestrations
that out Hollywooded Hollywood.

Frank Sinatra’s arranger
sewed the songs together
slipping seamlessly
from track to track
in a welter of schmaltz
that should make us sick
but succeeds In pulling at
our heartstrings.

All the emotional
tricks of film scores
with swooping glissandos
of silvery strings
dramatic pauses
and sudden quietening
that make way for
heart-rending lyrics.

I can’t recall
When or where
Nilson whispered
pure emotion
in my ears
or the joy of rediscovering
this iced gem
decades after
Nilsson bombed
his career.

Wikipedia
told me the sorry tale
but I was too awash with the joy
of rediscovery
to truly sympathise
and if there is a heaven
then he is surely there
and I hope he hears
my tribute and my
sincere judgement
that this beauty
was simply
ahead of its time…

© Andrew Wilson, 2023

Intro
Lazy Moon
For Me and My Gal
It Had to be You
Always
Makin’ Whoopee
You Made Me Love You
Lullaby in Ragtime
I Wonder Who’s Kissing Her Now
What’ll I Do
Nevertheless (I’m in Love With You)
This is All I Ask
As Time Goes By
I’m Always Chasing Rainbows
Make Believe
Trust in Me
It’s Only a Paper Moon
Thanks for the Memory
Over the Rainbow
Outro

Written for a musical evening over at dVerse – Poetics – The Poet’s Pub where tonight the theme is Musical Muses, hosted this evening by msjadeli…

Exploring and Evaluating Generative AI Number Four – Working with AI and the Women’s Issue…

During the month of April this year, whilst participating in the A to Z Challenge, I was privileged to encounter the work of Misky whose blog It’s Still Life, showcases two distinct things, poetry written by Misky and illustrated using Generative Artwork created by Misky using the Midjourney AI app. So amazing were these images to someone who is in part, a visual artist, that it inspired me to make an exploration of Generative AI for myself. At the same time, AI has been hitting the headlines big time and mainly for its use in text generation and the impact it might have on jobs and since writing is another thing that I do in my day job, I was also intrigued to see whether AI might be of any use in a company such as I work for. (I am the gradually retiring General Manager of a food manufacturing company). It has been a fascinating voyage of discovery and to cap it all, lying awake at 4 o’clock this morning, I found myself listening to “The Conversation” on the BBC World Service and what should be the topic, but AI with special reference to the involvement of women. So – mind on fire, I am going to draw this series together, although I freely acknowledge I have but dipped my toe in the waters of AI and I may return to the topic in the future…

To recap the three articles I have already written:- In the first one, I tried out ChatGPT to see what it research and write about one of the topics from my A to Z and immediately encountered the phenomena of AI hallucination – the ability, in fact tendency of AI to make things up. I also “showcased” my first attempts at visual collaboration with the Midjourney bot .
In the second report, I compared ChatGPT to Writesonic which produces more lengthy articles – testing them against a typical (for me) work assignment.
In the third report, I looked at the most controversial assertion about AI – that AI might in the future, eliminate human beings – Terminator-style and referenced articles that thoroughly refute the need to worry about that particular outcome – go re-assure yourselves! However, there are many things about our present and future use of AI that do bear looking at and these were raised in the episode of “The Conversation” that woke me up this morning. The programme, presented by a woman, featured two women working in the field of AI, one a philosopher and one an expert in data analysis and as well as the general concerns that need addressing about AI, they highlighted the general lack of representation of women in the field of AI – only one CEO, qualifying women failing to get jobs in the industry and so on. They did however point out that one of the changes to AI itself in recent times, has been the accessibility of use – no longer do you need to have a degree in computer programming – you could make your first interaction with ChatGPT in the same time it would take you to query something on Google. Which brings me back to Misky…

Misky was not only the inspiration for my (deepish?) dive into AI, but was extremely helpful and encouraging to me at the outset, itself a reflection of how women tend to be more collaborative, good team players – a fact which the contributors to “The Conversation” suggested is a good reason for women to me more involved in AI companies, in reviewing the implications and in forming the regulation which is undoubtedly necessary around AI. A few days ago, I was delighted to meet Misky face-to-face on a Zoom call after many text interactions online and one of the things that she shared in our too-brief call, was that she had had some push-back from certain readers of her blog, about the use of AI images. I would like to talk to her more about these issues, but the participants in “The Conversation” raised the issue of how artists, whose work has been studied by AI to create new images “in the style of”, are being short-changed. You may have been wondering about the image at the top of this post – I created in Midjourney by prompting it to “imagine” Knaresborough railway viaduct “in the style of Hokusai” – a master of Japanese woodblock prints. I have used this subject as my test piece for exploring what Midjourney can do as you will see in the previous post. Now Hokusai is long dead and so the issue of compensation is hardly an issue, but another group of more recent artists might object. I am working on a spoof post – “How to Make a Body” a tale of human reproduction in the style of an Internet recipe ad although, like Misky, the writing is all my own, I wanted an illustration to fit with the tone of the piece and prompted Midjourney to “imagine” a woman in a hospital bed, holding her newborn baby and with her husband leaning in “in the style of a Ladybird book cover”. For those of you who may not be familiar with Ladybird books, they were written for children starting in the 1940’s and running until the 1980’s and they feature a distinct style of illustration.

In recent years, a series of spoof books in the Ladybird style and aimed at those who had grown up with the original series, have been vert successful, for example…

I had no idea whether Midjourney would be able to fulfil my prompt, there are lists of artists’ styles you can use with Midjourney but I hadn’t seen this one – I was not disappointed!

I am keeping my powder dry as to the final image I chose but this first set of four (Midjourney shows off by producing not one, but four attempts in under sixty seconds) – which was done to the prompt of “A new mother in a hospital bed with her husband leaning in as she holds their new baby in the style of a Ladybird Book Cover” has misunderstood my intention and the mother is holding a magazine rather than a baby – though the graphic style is very Ladybird book-like. I acknowledge that I am still only a beginner in my use of prompts with all the forms of AI I have tried so far and there is undoubtedly an “art” to getting it right which is why I said “I created in Midjourney”. Although I am a competent watercolourist, screen-printer and other forms of illustrative art, I could not produce images such as the above and certainly not in sixty seconds. So, how much of this creation is my prompt, how much is the brilliant programming behind Midjourney and how much is owed to the various artists who could produce the illustrations of the Ladybird books? I cannot begin to answer that question but it does raise an issue which needs considering in formulating regulation around the use of AI. Meanwhile, like Misky and I, jump in and have a go and get a feel for yourself of the answer to the god-like feeling of creating with an AI tool…

Much of the debate around the consequences of the rise of AI, is around its impact on jobs and the potential losses and gains. As I described in my first report, the development of computer spreadsheets swept away the lowly positions in Accountancy but opened up many more jobs at the high end of the profession and although this might be the hope for AI, that it liberates us from the menial and allows us to create new roles – roles which might be beyond the capability of AI to imagine, at present, it is not just the menial tasks that are being threatened by bots like ChatGPT, but some roles higher up in various industries. Having said that, given the tendency of AI’s to hallucinate, I wouldn’t trust an AI’s writing without an experienced human checking the output of any writing before sending it out! Also, when you are a creative individual yourself, then trying to get AIs to produce exactly what you have in mind is tricky. In my 2021 A to Z challenge, I was trying to complete a science-fiction novel and the exercise gave me enough momentum to indeed finish it a few months later. Then I set about creating a book cover for it – to feature the final denouement – a tense scene set in a space-elevator on the edge of space. I prepared the background view by Photoshopping some NASA photographs looking the length of the Red Sea towards Palestine, painted in a great river estuary as per my planet, and then superimposed some 3D elements which I drew up in AutoCAD and finally added the title and my name. You can see this below, however, I felt that the result was not quite up to the standard of artwork commissioned by big sci-fi publishers and imagined that in the unlikely event of the novel being published, an improved version of the cover would be substituted for my “sketch”.

© Andrew Wilson 2022

Back to today, and naturally, I thought it would be a good test of Midjourney to see whether it could be used to produce a better version of my cover. Well, the first attempts were brilliant style-wise, but nothing like the image I wanted and many attempts followed to no avail…

My prompt read “space lift arriving at 300 miles above Earth like planet over Sahara like region array of cargo containers spread out in one layer small spaceship approaching“Midjourney couldn’t understand Space lift and I had to change lift to elevator, it couldn’t understand “array of cargo containers” but it did have all the sci-fi style I wanted. So then I decided to create a space view background without the lift and substitute it into my own cover illustration. Bingo!

© Andrew Wilson 2023

Still I hanker for the crisply detailed images of the elevator that Midjourney is capable of if only I could prompt it correctly – so a work in progress… What this exercise does show, is that it is possible to use AI for the things it can do better in combination with human talent.

In Conclusion…

This exploration of AI has felt like a marathon and it is just one person’s experience and I am really only at the beginning of my exploration, I’m sure I will find both text and image-generative bots to be of use in my future work and play. I urge you all to experiment for yourselves, form your own judgements (and please share your results by linking in the comments), join the debate over the regulation of AI, and explore other artists, in particular, Misky, who began this journey…

6 Degrees of Separation  -Friendaholic by Elizabeth Day…

This is a post in the 6 Degrees of Separation run by Kate W. over at books are my favourite and best in which she gives the starting point of a particular book and invites you to take a journey through 6 other books of your choice, all connecting in some way and perhaps ending up back at the beginning…

As will often be the case in this challenge, I have not read this book, a non-fiction exploration of just what it is that makes friendship so important to Elizabeth Day. Ubiquitous as Amazon is, other booksellers are available  so here is part of what the Waterstones’ blurb says about Friendaholic. “Friendaholic: Confessions of a Friendship Addict tells the story of one woman’s journey to understand why she’s addicted to friendship. […] In Friendaholic, Elizabeth unpacks the significance and evolution of friendship. From exploring her own personal friendships and the distinct importance of each of them in her life, to the unique and powerful insights of others across the globe, Elizabeth asks why there isn’t a language that can express its crucial influence on our world.
From ghosting to frenemies, to social media and communication styles, to the impact of seismic life events, Elizabeth leaves no stone untouched. Friendaholic is the book you buy for the people you love but it’s also the book you read to become a better friend to yourself.”

So everything you wanted to know about friendship but never dared to ask – well hardly because there are as many types of friendship as there are fish in the sea and as a prodigious reader of books growing up in a rather claustrophobic childhood, I suspect that the friendships depicted in books have been a great influence on me so all these books have personal significance for me beyond the mere reading…

Will and Tom by Mathew Plamplin – my first choice-  was a recent read but what drew me to it, was that it concerns two painters well known to me and is set in one of England’s great country house not far from where I now reside – Harewood House. My last year at school was an extra year to resit Geography which I had ambitiously paired with Physics and English A-levels in an attempt to straddle education from Art to Science and Geography, which I wanted to study at university got squeezed in the middle. So now I added Geology and Atr A-levels, and, since my friends had all left and I only had 11 hours timetabled lessons, I was allowed to roam the streets of Oxford, sketching and visiting art galleries and museums. At the Ashmolean Museum, I was allowed to handle and peruse, FIVE boxes of Turner watercolours and for good measure, the staff suggested I compare his work with that of his contemporary and friend – Thomas Girtin. Girtin is as unknown to most people as Turner is famous, and that is in part because he died tragically young, but this book brings their life and friendship not to mention the times and the place. Below is one of Thomas’ paintings.

If I hadn’t used it in last months 6 Degrees, I could now have gone to This Thing of Darkness telling the tale of the Friendship between Charles Darwin and Fitzroy the Captain of the Beagle but instead I choose another voyage of biological discovery and friendship – The Log from the Sea of Cortes by John Steinbeck. I am going to cheat here and give you a Two-fer since this book is inextricably linked to Cannery Row also by Steinbeck in which we meet Doc – in real life – Ed Ricketts a marine biologist who became a great friend and influence on Steinbeck. Steinbeck was fascinated by marine biology and having achieved initial success with The Grapes of Wrath, as Ricketts had done with his seminal Between Pacific Tides, the pair were looking for new inspiration and eventually settled on a specimen collecting trip up the Gulf of California, or Sea of Cortez as it is more poetically titled. The co-authored book as well as the fictionalised Doc in Cannery Row, paint a portrait of close friendship between two men and Steinbeck was devastated when Ricketts was killed on the railway crossing at Monterey…
A recurring comedic theme throughout the log, is the fractious relationship with the outboard motor of their tender “Our Hansen Sea-Cow was not only a living thing but a mean, irritable, contemptible, vengeful, mischievous, hateful living thing…. [it] loved to ride on the back of a boat, trailing its propeller daintily in the water while we rowed… when attacked with a screwdriver [it] fell apart in simulated death… It loved no one, trusted no one, it had no friends.”

On a journey of my own in the 70’s, by Transalpino, I would have passed through Naples, the seaside location of my third linked book the first in Elena Ferrante’s autobiographical trilogy detailing her growing up in a Naples suburb “My Brilliant Friend”. The picture of Lila and Elena and Naples includes memorable characters from their own families to the more sinister family of the Cosa Nostra and we see the roots of later series such as Gommorah. I first watched My Brilliant Friend as a TV drama but I have since acquired the books to read ( since the read experience is so different) and they  are on my Tsundoku (TBR) list…

With no more link than that they are also set in Italy and I vastly enjoyed them as a teenager, I now choose the The Little World of Don Camillo by Giovannino Guareschi. A collection of eight books of short stories, only three of which were published in his lifetime,, Guareschi tells of the amusing but touching conflict between A parish priest in a small town in northern Italy’s Po Valley, and the Communist Mayor. You might be forgiven for thinking that the constant strife between these two protagonists (with many conversations with God on the side) describe enemies rather than friends, but what they share and recognise in each other, even if they wouldn’t openly admit it, is that they both strive ceaselessly in their own ways, for the good of the town and if that doesn’t qualify as friendship…

Guareschi was also a cartoonist and illustrated the books with these charming cartoons – Don Camillo talking to God…

I read in some pre-internet article, that a survey had discovered that men, asked about their favourite books, will often quote titles they read as teenagers whilst women will cite their most recent reads. The question was posed, tongue in cheek, as to whether this is because men stop reading after puberty whilst women don’t stop… I will acknowledge that half the books mentioned so far were read in my teenage years and with David Copperfield – read in a wrist wearying hardback (particularly when reading on the pillow) by Charles Dickens. I read a few Dickens books from my parents hardback set and formed an early critical notion of his work as being like a tapestry, all the threads are presented near the beginning, a few are lost along the way and a few new ones introduced, but most make it to the last chapter in which things a re resolved with satisfaction for the good and justice for the bad.
David Copperfield is a partly autobiographical account of Dickens life and it is notable for the friends that save young Copperfield from the worst vicissitudes to which he is subject, Peggotty, Steerforth (initially at school) and Barkis, not to mention the unusual friendship between Aunty Betsy Trotwood and Mr Dick.
The thing about these books read as a teenager, is that they have formative influence on the developing mind and I sometimes wonder whether how much of these characters, especially Steinbeck’s Doc, are not in me…

The Surgeon of Crowthorne by Simon Winchester, is the story not only of the monumental task of creating The Oxford English Dictionary, but of the friendship that developed between the chief editor of the dictionary and it’s most prolific, volunteer contributor. Started seven years after Dickens published David Copperfield, the OED took a new approach to dictionary entries by seeking for examples of usage to accompany definitions of meaning and this required an army of volunteers. James Murray, the Chief Editor appointed by The Philological Society, received tens of thousands of examples from one – William Chester Minor – so many that when the first volume was finally published after eight years gruelling work, Murray invited his volunteers to a party. Surprised not to hear from or see his most prolific volunteer, Murray eventually went to Crowthorne Hospital where he assumed Minor worked, only to discover that he was an inmate in what is now the secure psychiatric hospital Broadmoor. Minor, who had had a colourful life, was suffering from what we would now diagnose as Schizophrenia and had stabbed a man. Murray and Minor became firm friends and eventually, Murray petitioned for Minor’s release since his troubled mind had eventually relaxed.


This true tale of friendship brings us back to Elizabeth Day’s exploration of the nature of friendship and why it is so vital! I hope you have enjoyed the journey through books which feel like old friends to me and which have almost certainly styled my notion of friendship…

Roadtrip Review No. 6 – a self-review…

Borne up and drawn in
by fast becoming friends’
web of writing prompts

Writing is a unique space for me and increasingly so. My dear departed sister encouraged me to go to a writing group in Sligo, Ireland – a place full of writers and artists and all in the shadow of the poet WB Yeats. Indeed, when I first moved there in 1995, one of my early commissions as a signwriter and, it turns out, a muralist, was to paint a mural of WB Yeats on a new secondhand bookshop – The Winding Stair – named for the title poem of one of Yeats’ books of poetry – you can see me painting it here. I had studied Yeatss at school in English (Literature) which replaces the English (Creative) of earlier school years – why do they do that? I also painted a little but didn’t want to go down the road of fine art because I perceived that artists are so often groomed by galleries encouraging them to produce more of what sells rather than following their own creative wanderings. And so I became a signwriter (painted not computer-cut vinyl) where the creative input is much smaller and constrained by a brief but, I felt, more honest and more sure as a means of making a living. Moving to Ireland gave me a new burst of creative freedom as a signwriter – especially after doing the Yeats mural although some years later, The Winding Stair closed down and the subsequent occupiers of the shop painted over my “masterwork” – a lesson in the zen of attachment to earthly achievement…

Going back to the writing group, it was such a pleasure to rediscover the joy of putting words on the blank canvas of the page – I produced a slim volume of the group’s writings including a CD of the members reading their pieces – and then I discovered blogging… By now it was 2005 and my partner and I moved back to England to see more of our growing grandchildren, and as we waited to complete our stable-to-house conversion, there was no time to make friends in the community and so blogging remained my virtual circle of friendship. I belonged to a blog -site called Mo’time run by an American living in Italy, who created Mo’time as a test bed for ideas for the larger site which was his job. Sadly, the larger site was sold and Mo’time terminated and though we made several attempts to kindle a new space – it was never the same – however I still see quite a few Mo’timers on Facebook.

Then in 2020, on April 1st – I stumbled across the A to ZX Challenge and as the pandemic was taking hold, I plunged in! Each year has been differently themed and I have encountered new fellow writers as well as old friends. This year, however, writing was even more central – my theme was on the etymology of phrases and so was like honey to writing bees and I have joined another writing group – not in the flesh, but by Zoom and our facilitator is also an A to Z-er. What has been different though, is that through the new writing friends I have made (and reviewed here on my Roadtrip) I have encountered a world of other blogging challenges, written, photographic and especially poetry. Since my writing group is prompted by poems and much of what I have written has been (Free) Verse, it was like an alignment of the planets – instead of tailing off into silence after the A to Z finished, I am being tempted and indeed succumbing to all sorts of new challenges as well as writing in my group. I created the picture at the top of this post using Midjourney – another takeaway from this year’s A to Z (thanks to Misky and Vidya) to convey the sense of both support and crazy fear of falling out of control and spending my whole time writing challenge posts! So far I have engaged with Six Degrees of Separation, the Poet’s Pub and Sadje’s WDYS (What Do You See) and in the interests of Life/Work/life balance, I think that may be enough for now – things should be a pleasure and not a pressure… And then there are two novels to get back to, one finished to first draft and the other, a more serious work, with a lot of writing to go! And I used to spend a lot of time keeping abreast of the news! And then there’s the allotment – water and weed it or lose it! And then there is my partner, children and grandchildren not to mention two and a half days at work…

Here’s the thing though, within reason, the more you do, the more you fit in because what goes is the dross, the stuff that didn’t really matter, write poetry not protest seems to be where I am right now…

P. S. I have been told that I am not great at communicating, say, enthusiastic responses, that I may even be on the spectrum, but when I write, even though I may not feel the feelings whilst in the act of writing, be it poetry, prose or fiction, when I read back emotional content, I emote with the best of them, tear up – the works. So I guess writing is my medium of expression…

Roadtrip Review No. 5

Lady in Read – such a great pun – and it truly reflects Vidya’s approach to her blog – it might be described as Fusion – “Lady in Red” is a western song by Chris de Burgh and it has featured in several films and both Vidya’s avatar and blog banner show her in a red dress but in the content she goes further. For example, in this year’s A to Z (she is a veteran participant), she wrote poems about people and places from India and particularly Karnatka where she grew up. However, Vidya writes prompted by many blogging challenges including NaPoWriMo which was also running in April and rather than do two separate posts, Vidya gives us a mash-up or fusion. so in My Heart Beats for Harihar, her H post, Vidya writes a poem celebrating the town she grew up in as a Sea Shanty – the NaPoWriMo prompt! To have followed Vidya’s A to Z is to take a deep dive into Indian/Karnatka culture but served up with a fusion twist seasoned with a great deal of humour…

Vidya also explored using AI for both images to illustrate some posts and also to generate ideas for post titles and you can read about her assessment of her experiments in her Reflections Post.

Roadtrip Review No. 4

Ronel Janse van Vuuren hails from sunny South Africa” says her About page, and her blog is called “Ronel the Mythmaker” subtitled Dark Fantasy Author which has intrigued me ever since I came across her blogs – you see I can’t think of South Africa without thinking of sunshine so strong it bleaches out everything, mind, body and motivation. I have to imagine Ronel in a dark, cold cellar beneath a remote house in order to conceive that anyone could write about fairies and review books from all over the world. because, too, South Africa seems at the end of the Earth, last stop before Antarctica and whilst the internet means that you can wander, virtually wherever you wish to go in the WWW, that is merely rational and I am constantly challenged by these mental disconnects when I visit Ronel’s blog. That’s just my problem, because Ronel can, and does write successful books and blog posts about dark fantasies and this year she is another A to Z participant who double-blogged. On one of her blogs – Ronel the Mythmaker she reviewed books on the theme My A-Z of Book Recommendations and Reviews 2023 (AKA my languishing TBR) in which she shows us, graphically, her to be read pile, followed by a book review of one of them that she has read. What this does, is to let us glimpse into the mind of an author of dark fantasies, which is almost as good as reading her own creations – although I still have to imagine her hiding from the sun in a dark cellar…

Ronel’s other blog was her My A-Z of Faerie 2023: and whilst this guide to all things Faerie is not my preferred area of reading, if I ever want a comprehensive guide to the subject – this is it and I have it bookmarked. I half expect Ronel to vapourise my imaginings and tell me that she writes from under a shady umbrella beside a pool in a city somewhere in S.A….

J.S. Pailly was a sometime visitor to my blog just as I was to his, and what I found was fascinating so although I dipped in and out, Planet Pailly Where Science Meets Fiction, is bookmarked for me to read all the way through… J.S.Pailly is not a scientist, though he is a Sci-Fi writer and a cartoonist and he chose this year, to write everything you ever wanted to know about the planet Mercury! Now I think you will agree that this is pretty niche and some people might hesitate to visit that niche, but, illustrated by his own cartoons, this is a very readable blog. One of the joys of the A to Z is to pick up on other bloggers via their comments, and one who would clearly have delighted in Mr Pailly’s theme was the author of My Hubble Abode, who is a student of Astrophysics and who started blogging to write free A-level notes for herself and her fellow students but then kept going as she moved up the academic ladder. If astrophysics is not your cup of tea, then she also gives out designs for her Crocheted planets and more. What’s not to like, I also share a passion for (Tunisian) Crochet

Roadtrip Review No. 3

Carrie-Anne, in her incomparable Welcome to My Magick Theatre, gave us, not forvthe first time, a tour de force – on the history of both Iranian cities and also pioneering Iranian women – the latter in homage to the current persecution of women in that country. Iran, arguably the cradle of civilisation, has cities that have risen and fallen so many times through history it makes one giddy! And the women Carrie-Anne describes are all fascinating, not least because of the way their stories are told…

As if this Abercadarium was not enough on it’s own – Carrie-Anne did one in her second blog – Onomastics Outside the Box which was on Persian names – a possible goldmine to any expectant parents to be who want to go with something different, more ancient, perhaps, name-wise… any way, Carrie-Anne drove herself to exhaustion as she explains in her TWO Reflections posts here and here! Carrie-Anne’s posts are not to be read from A to Z and certainly not in one sitting – no they are to be savoured, like a fine wine from the cellar, when the occasion demands…

It is late, and I have work in the morning and besides I cannot bring myself to add another review to stand in the shadow of Carrie-Anne and so to bed…

Roadtrip Review No. 2

Shilpa Gupta chose to write Flash Fiction for her A to Z and here’s the thing about flash fiction, either you enjoy a writer’s offerings or you don’t, you find consistency rather than having to search for the rare nugget, and you keep coming back because, even though the pieces may be personal to the author, the pieces resonate for you… Shilpa delivered on all these things for me. A good example was M for Arithmetic in which a father posters the narrator to practice maths homework but is completely scathing about her exam failures. If you want to see what resonated for me you will have to read the post and find my comment…

Hannelore was interrupted in the middle of April by the sad death of her grandmother who, together with her late grandfather, was the subject of her A to Z and so she bravely presented the last letters in a compendium as part of the process of moving through grieving. The early posts, together with the rest of the month’s journey, deserve our attention.

Anne Nydam is a print artist who specialises in mostly one-colour block prints and for this year’s theme she chose to show us letters from many illustrated Abercadariums to which she brought a wealth of research and commentary. I can only repeat my comment on her Reflections post “Your posts were unique amongst the A to Z Challenge this year and I not only enjoyed them whenever I visited but have bookmarked your site to return to whenever. as I have said before, having been a signwriter and a graphic artist going back to letterpress printing at school – this was right up my street…”

So there you go – a few more of my frequent commenters reviewed – eventually I will get to some of the blogs I didn’t get too in April…

Exploring and Evaluating Generative Artificial Intelligence, Number One…

AI or Artificial Intelligence, is a hot topic at present with governments weighing up how to invest in the sector, insiders from the industry warning of the potential dangers and the media stoking fears from job losses to the eradication of the human race. During the recent A to Z Challenge 2023, I was highly impressed by the images selected by Misky in her blog IT’S STILL LIFE – A.I. ART & POETRY and decided to investigate the whole subject of AI for myself. I also wanted to know about Generative Text AI because my work demands various forms of word creation and I had heard that this might be one of the first areas to suffer job losses to AI.

This tile design was designed by Midjourney 5 with a prompt of no more than Passion Flower –tile. It lines up perfectly on every edge, a task which is difficult to do by hand…
Using a third-party software, you can turn Midjourney’s tile into wallpaper and appreciate the seamless matching of edges.

But first, a little thought about where I understand us to be right now. There is Soft AI (think Alexa) and then there is the dreaded Hard AI (think Terminator). Soft AI is already in use all around us, Grammarly, Predictive Text on your smartphone, Alexa, Google and other search engines but the reason people are not running around screaming “The terminators are coming!” as a result of all this Soft AI action, is because the intelligence quotient of this sort of AI is pretty low. For example, say to your “smart” speaker Alexa “Alexa! Tell me a joke!” and Alexa will oblige with a joke of variable humour, but then say “Alexa! Tell me another!” and Alexa will not know what you want – unless you specify “joke” in which case you could leave the “another” out since it is irrelevant to Alexa that she has just told you a joke. This means that Alexa is hardly conducting a conversation. On the other hand, she can sort through literally millions of bits of data to find and play you the song you want to hear. So this sort of AI is doing exactly what we want -conducting the repetitive, boring, difficult (because of the magnitude of data) tasks which we none of us really enjoy doing, or given the scale of data today, could even do! I was reading how when the sea-change brought about in Accountancy when computers could sit on every desk and more particularly, when those computers could run spreadsheets, there were fears of mass redundancies in accounting firms. And so there were at the clerk level of the business, but on the other hand, amongst the higher level accountants, jobs boomed like never before, because the things they could do with spreadsheets, the new things they could offer their clients had been undreamable before – so let us take the tales of mass unemployment with a pinch of salt – after all, I wouldn’t mind betting that some of the accounting clerks were able to upgrade their skills and move up the ladder with the help of a computer…

Above is an example of a tricky task for any graphic designer to do manually – to design a seamless tile repeat and I will come back to this particular task in the future, but to say that this task was accomplished in under sixty seconds, is for now simply amazing!

Text AI

So first of all, I want to look at my first encounter with ChatGPT which was developed by OpenAI and which they describe as a Large Language Model Generative pre-trained transformer Chatbot. What that means is that an AI computer programme has been fed a huge amount of written material, novels, adverts, and non-fiction from the World Wide Web and not only does the AI have access to all this material, but it can stitch information together according to very clever algorithms to write “original” material. So I thought I would test it out by asking it to write a piece about one of the more colourful phrases from my recent A to Z Challenge – phrases we mostly know the meaning of but have forgotten the origins of. First, here is my explanation:

Cold Enough to Freeze the Balls Off a Brass Monkey!” – you may be beginning to see the “lost in translation” aspect of sayings overheard from sailors by landsmen in which case, you will not be surprised to learn that this expression has nothing to do with statues of simians cast in brass losing their genitalia!

A “monkey” on a wooden ship, especially a warship, was a (usually) wooden tray with rounded depressions in which cannon balls were stacked in preparation for the battle – the last thing you wanted was heavy cannon balls rolling around the deck of a pitching deck – let alone a “loose cannon” – so cannons were secured (against recoil on firing) by strong ropes and cannon balls were kept on a monkey. I said that monkeys were usually made of wood, but admirals or very lucky captains, who had made a lot of money from their share of “prizes” (captured ships, evaluated and paid for by the Navy) – were allowed to prettify their ships with gold leaf, dress their crews in custom, fancy uniforms, and purchase brass monkeys rather than the standard issue wooden ones. Now here’s the thing, a monkey was carefully designed so that you could pile the cannon balls up in a pyramid to maximise your supply of cannon balls in as small a space as possible but the thermal coefficient of expansion of brass (the monkey) and iron (the cannon balls) is different – the brass monkey shrinks more than iron in very cold conditions. Now, the carefully spaced second and subsequent layers of the pyramid are too big for their positions and can roll off the monkey hence “Cold Enough to Freeze the Balls Off a Brass Monkey!” – Simples! Not!

Now here is ChatGPT’s first attempt:
“The expression “cold enough to freeze the balls off a brass monkey” is a well-known phrase that means that it is extremely cold outside. Although it is a common phrase, its origin and accuracy are often disputed.
One theory suggests that the phrase originates from the age of sailing ships when cannonballs were stored on the deck of the ship in a brass frame called a “monkey.” The frame consisted of several round holes where the cannonballs were stacked. During cold weather, the brass frame would contract more quickly than the iron cannonballs, causing them to fall out of the frame. Hence, the phrase “cold enough to freeze the balls off a brass monkey.”
However, there is little historical evidence to support this theory. The phrase “brass monkey” itself is not found in any nautical dictionaries or records, and the idea that brass contracts more quickly than iron is also questionable.

Another theory is that the phrase originated from a Victorian-era pub game called “brass monkey,” which involved placing brass balls on a tray and attempting to knock them off with a ball bearing. The game was typically played in cold weather, and if the temperature dropped low enough, the brass balls could freeze to the tray, making it impossible to play. Hence, the phrase “cold enough to freeze the balls off a brass monkey” may have originated from this game.
However, like the previous theory, there is little concrete evidence to support this theory.
Overall, the origin of the phrase “cold enough to freeze the balls off a brass monkey” remains uncertain. It is likely that the phrase has evolved over time, and its origins may be lost to history.”

So what do we think of this? Well firstly, the “the idea that brass contracts more quickly than iron is also questionable ” is simply not true – science tells us that brass both expands and contracts more than iron – so there is a lie right there! Secondly, Chat GPT says that there is no evidence of the phrase in “nautical dictionaries or records. Whether or not such dictionaries even exist, there are plenty of references to this particular phrase and it’s origin in many places on the web and in literature – I first heard of it in the books of Patrick O’Brien who spent much of his life carrying out research for his books in the Admiralty records and I would trust him implicitly. You have to find as many references as you can when researching a subject like this. There are, of course, always people who will dispute the origins of various phrases and so perhaps ChatGPT gave undue credence to these doubters. Still, then ChatGPT goes even further and completely fabricates an alternative theory! The idea of a “Victorian -era pub game called ‘brass monkey’…'” does not show up in any search of the internet whatsoever, so ChatGPT has not only dissed the correct explanation, but suggested a completely fictitious alternative – all done with a convincingly authoritative tone. Luckily, there is a Regenerate button and on dressing this, without any refining the prompt or critiquing the first result, ChatGPT came clean and produced a correct version of the explanation:
“The expression “cold enough to freeze the balls off a brass monkey” is a colloquial phrase used to describe extremely cold weather.
There are a few different theories about the origin of this expression, but the most widely accepted one is that it comes from the era of sailing ships.
In the days of sail, cannons were an important part of a ship’s armament. The cannonballs were made of iron and were stored on deck in piles or pyramids. To prevent them from rolling around in rough seas, the cannonballs were often stacked on a flat brass plate called a monkey.
When the temperature dropped below freezing, the brass monkey would contract more than the iron cannonballs, causing them to fall off. Hence, it was said to be “cold enough to freeze the balls off a brass monkey.”
However, it’s worth noting that there is no definitive proof for this theory, and other explanations have been proposed as well. Nonetheless, the phrase has become a part of English language and culture, and it is still used today to describe extremely cold weather.”

The second iteration is both factually more correct and more concise, but for a first encounter with ChatGPT to throw up such a blatant fabrication is worrying. It suggests that however miraculous the task of researching and collating this story might be, it definitely needs checking by a human being because otherwise, another false news item might find its way onto the Internet and go echoing around and around… Just such a story of defamation by a ChatGPT “news” story, happened to an Australian Mayor who rather than being portrayed as the whistleblower he actually was, he was reported to have gone to jail for corruption – he is suing ChatGPT‘s developers, OpenAI.

Not that I am fishing for compliments but what do you think of my explanation of the phrase compared to ChatGPT’s? After all, you might think I was too verbose and ChatGPT more concise…

Image AI

So far, I have only tried out the Midjourney bot (short for Robot, which I discussed in my “R” post in April) but I will be trying and comparing them and reporting back to you Dear Reader, but for now, I just want to share some images that I have created which were successful, although sometimes after several attempts to refine the prompts – more of that next time…

Each submission or message to the Midjourney Bot, produces not one, but four variations for you to choose from. You may then ask for an enlargement of one (see below) or to take one as a starting point for variation and another four will be developed. The prompt for this group was “flower_fairies_playing_amongst_blackberry_stems_and_fruit”
Here is the enlargement of the top left image.

I then decided to turn this into a tiled image (below).

The prompt for this image was “Village_beside_lake_style_of_Charles_Rennie_Mackintosh_pallette knife_oil_painting. I think the syntax should have been “in the style of” so I’m not sure that this owes much to Mackintosh but it is great – I think…

So we (if you want to come along with me) are on our way to investigating AI – so far Text AI dodgy, and ImageAI – amazing!