The last time that the president-elect was indisputably seen in public, was at his inaugural rally at which a third presumed unsuccessful attempt on his life resulted in his being whisked away and out of sight. After a night of panic by his supporters, a reassuring video was released of the now President, sitting up in his hospital bed and raising a fist in a defiant gesture. Thereafter, the POTUS made no live appearances, his team stating that three attempts on his life were quite enough. The irony was that the techniques which had served the president during his candidacy for re-election, to smear opponents, were now used to supplant the presence of the ageing and unstable would-be dictator. Deep fakes, AI-generated speeches flowed forth, for God knows, there were enough speeches to train the AIs in the rambling, vitriolic, and emotion-soaked appeal that was the President’s trademark. The crew that had pushed the president forward over the last four years, not to mention his long-suffering wife, breathed a sigh of relief and prompted the AIs to generate a more coherent presidency which went exactly to plan…
Winter has come forth freezing forever the fruit of misbegotten dreams…
My only clue to you courtesy of Google Maps is that you live in a bungalow on a tree-lined avenue nicely displaying Autumn colours on which slender basis I choose to send you this AI vision of a post-apocalyptic Knaresborough (a nearby town in Yorkshire.) The iconic railway viaduct subducting beneath invading trees a tiny signal box, brick-built the last remaining trace of civilization – so if we heed not signs of climate change – we may yet face this devastation…
This last year, both I and many poets I know (in the Internet sense as opposed to the real world or the biblical), have started illustrating their work using AI images whose results are sometimes so stunning as to distract from the poems being illustrated. So are we shooting ourselves in the foot, gilding the lily…
The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. It is organised by the Cascadia Poetics Lab, which arranges the participants into lists of 31 + yourself for you to address your offerings to. This was my second year and I was on List 10. The lists are sent out in early July and you have until the end of August to send out your poetic missives – to date I have received 18 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent. Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…
Dear Grace This AI-fabricated teacher in the style of Gustav Klimt Struck me as so striking I pondered the words that might describe him geographically and generationally Boss – Liverpool, Bonzer – Australia Dishy – Sixties, Sick – Noughties Dope – currently Fanciable – Fifties, Personable – Forties Stylish but not Suave, Fine Fair but not fair – more darkly Dreamy A Snack, Eye Candy, Hot Studly and Hunk do not, I think, apply Buff, Beautiful, Dreamboat… Which of these gets your vote or does he simply not float your boat?
This last year, both I and many poets I know (in the Internet sense as opposed to the real world or the biblical), have started illustrating their work using AI images whose results are sometimes so stunning as to distract from the poems being illustrated. So are we shooting ourselves in the foot, gilding the lily…
The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. It is organised by the Cascadia Poetics Lab, who arrange the participants into lists of 31 + yourself for you to address your offerings to. This was my second year and I was on List 10. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 16 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent. Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…
Dear Roberta Using an AI to make images can be wondrous, frustrating, puzzling and incredible in varying degrees but sometimes, the sheer beauty simply makes one gasp…
This last year, both I and many poets I know (in the Internet sense as opposed to the real world or the biblical), have started illustrating their work using AI images whose results are sometimes so stunning as to distract from the poems being illustrated. Yet we poets often work to prompts and we must construct prompts for the AI…
The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my second year and I was on List 10. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 16 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent. Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…
Dear Kay Oregon, I believe is a state full of trees and a child of Oregon would have no difficulty visualising the setting for Little Red Riding Hood originally written by the Brothers Grimm of Germany but repeatedly rewritten and referenced in book, film and TV. Even in America Cordellya Smith of Kentucky wrote a Native American version Kawoni’s Journey Across the Mountain a Cherokee Little Red Riding Hood the classic tale of a girl in jeopardy is a warning to children everywhere against walking in the woods alone and to watch out for wolves…
The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my second year and I was on List 10. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 16 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent. Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…
Dear Jill The couple on this postcard were supposed to be a long-haired poet and a commodity trader with over their heads, their thoughts floating but which is which I wonder this AI offering did not get my vote.
You live close to a great lake but also near a windy city and I wonder which dominates your sense of place are you a suburb of Chicago or a separate town in Gurnee? Does the place you live influence your poetry perhaps I’ll get to see when you reply to me I would say ‘if’ but I have my fingers crossed…
P.S. Your card was my second arrival Jill!
The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my second year and I was on List 10. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 16 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent. Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…
The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my first year and hearing about it just in time to register, I was on List 15. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 20 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent and the cards but not the poems you received. I will share these in the order of sending and I will miss out those which I have not yet received in case they arrive soon… Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…
Dear Karen
I should like to say this painting is my own work and in a small part it is. I prompted an AI to make four pictures in sixty second “Village beside lake style of Charles Rennie Mackintosh “La Rue de Soleil” palette knife oil painting” – it obeyed! I am still trying to wrap my head around it perhaps I will copy it into real oil paint on canvas pondering with each brush stroke how an AI went from 0- 60 in sixty second times x 4…
Due to an error in reading my meticulous recording of what card was sent when and which arrived when, I posted Karen’s beautiful handpainted watercolour trees a few days ago when it should have been the equally beautiful ink colour sketch of Paul Klee’s “Conqueror” with an Ekphrastic poem to match – my apologies to Caren and Karen for the mix up…
My AI muse Misky, recently made a post entitled Barglefloop and I quote her “barglefloop, means to mess with words in your AI prompt in order to confuse it, to turn nouns into verbs, to make single words compound, etc.” It occurred to me to experiment by adding the same prompt to Midjourney as Misky had used and see if the AI came back with the same images as she got – it did not! Here are the first four I got using the prompt “Barglefloop“
Where Misky’s images tended towards Hieronymous Bosch – mine were Harry Potter meets Lord of the Rings Rivertown. Below is the fourth image enlarged to show the level of detail the AI has put in…
But what does this tell us about the way Midjourney works – that Barglefloop is nonsense and so the AI creates whatever it wants to – let off the leash so to speak? I decided to add some more nonsense “barglefloop female foxing blithy toves” – Foxing – as a noun gone verb, and “slithy toves” from Lewis Carrol’s Jabberwocky (’twas brillig and the slithy toves…). This time the AI seized on the only bit of the prompt that made sense Fox and gave me four fox pictures, ignoring the rest of the senseless prompt – so Midjourney, whilst known to hallucinate as much as the next AI was not so desperate to act freely – released by nonsense…
Cute but no cigar for Midjourney so now I went for all the nonsense, none of the foxing around “barglefloop blithy toves” and now we get something quite nightmarish in a Snarky/Jabberwocky Carrollian sort of way, with perhaps a hint of Bosch…
So lastly I decided to miss out the Barglefloop and just retain the Lewis Carrol words “twas brillig and the blithy toves” and now we can see an Alice in Wonderland flavour to the images – particularly the top two…
Lastly, I asked for variations on the bottom right image – a rather mad-looking figure with a slightly Victorian flavour…
Does this tell us much about the way the “mind” of an AI works – I will let you be the judge – and stay away from hookah-smoking caterpillars seated on toadstools – my advice…
Today I am Wearing denim and a cotton shirt both are faded naturally by sun and age and wear
The jeans are now for DIY the front of the thighs covered with finger wipe marks not as many colours as when I was a signwriter and other substances too grittily mixed in
The rips are fashionable but not fashioned to be so nevertheless my grandsons have dibs on their genuine distress!
The grandfather shirt collarless also faded with age to a soft, pale blue is frayed at the cuffs and relegated to work rather than repair too late to turn these cuffs
I will walk to the supermarket and I hope someone will appreciate my look like women who dress their best though not looking to pull.
This poem was not done to any prompt or challenge – I know – unbelievable! However, since I have been exploring AI (see previous posts), I decided to see whether I could produce a suitable image and below is the nearest to what I imagined. The prompt was “a gently smiling late middle age man seen full-length wearing a faded blue collarless shirt with frayed cuffs and faded denim jeans with paint marks and rips down the front shopping in a supermarket –ar 4:6” and I then cropped the image in Photoshop. As you can see, the AI bot didn’t understand collarless, and in this iteration did not make much of the distressing of the jeans. I guess it shows that in this case, a picture is unnecessary since the poem says it all and allows the reader to imagine their own image but I decided to include it as part of my AI exploration. And by the way, it doesn’t look anything like me – far more handsome…
During the month of April this year, whilst participating in the A to Z Challenge, I was privileged to encounter the work of Misky whose blog It’s Still Life, showcases two distinct things, poetry written by Misky and illustrated using Generative Artwork created by Misky using the Midjourney AI app. So amazing were these images to someone who is in part, a visual artist, that it inspired me to make an exploration of Generative AI for myself. At the same time, AI has been hitting the headlines big time and mainly for its use in text generation and the impact it might have on jobs and since writing is another thing that I do in my day job, I was also intrigued to see whether AI might be of any use in a company such as I work for. (I am the gradually retiring General Manager of a food manufacturing company). It has been a fascinating voyage of discovery and to cap it all, lying awake at 4 o’clock this morning, I found myself listening to “The Conversation” on the BBC World Service and what should be the topic, but AI with special reference to the involvement of women. So – mind on fire, I am going to draw this series together, although I freely acknowledge I have but dipped my toe in the waters of AI and I may return to the topic in the future…
To recap the three articles I have already written:- In the first one, I tried out ChatGPT to see what it research and write about one of the topics from my A to Z and immediately encountered the phenomena of AI hallucination – the ability, in fact tendency of AI to make things up. I also “showcased” my first attempts at visual collaboration with the Midjourney bot . In the second report, I compared ChatGPT to Writesonic which produces more lengthy articles – testing them against a typical (for me) work assignment. In the third report, I looked at the most controversial assertion about AI – that AI might in the future, eliminate human beings – Terminator-style and referenced articles that thoroughly refute the need to worry about that particular outcome – go re-assure yourselves! However, there are many things about our present and future use of AI that do bear looking at and these were raised in the episode of “The Conversation” that woke me up this morning. The programme, presented by a woman, featured two women working in the field of AI, one a philosopher and one an expert in data analysis and as well as the general concerns that need addressing about AI, they highlighted the general lack of representation of women in the field of AI – only one CEO, qualifying women failing to get jobs in the industry and so on. They did however point out that one of the changes to AI itself in recent times, has been the accessibility of use – no longer do you need to have a degree in computer programming – you could make your first interaction with ChatGPT in the same time it would take you to query something on Google. Which brings me back to Misky…
Misky was not only the inspiration for my (deepish?) dive into AI, but was extremely helpful and encouraging to me at the outset, itself a reflection of how women tend to be more collaborative, good team players – a fact which the contributors to “The Conversation” suggested is a good reason for women to me more involved in AI companies, in reviewing the implications and in forming the regulation which is undoubtedly necessary around AI. A few days ago, I was delighted to meet Misky face-to-face on a Zoom call after many text interactions online and one of the things that she shared in our too-brief call, was that she had had some push-back from certain readers of her blog, about the use of AI images. I would like to talk to her more about these issues, but the participants in “The Conversation” raised the issue of how artists, whose work has been studied by AI to create new images “in the style of”, are being short-changed. You may have been wondering about the image at the top of this post – I created in Midjourney by prompting it to “imagine” Knaresborough railway viaduct “in the style of Hokusai” – a master of Japanese woodblock prints. I have used this subject as my test piece for exploring what Midjourney can do as you will see in the previous post. Now Hokusai is long dead and so the issue of compensation is hardly an issue, but another group of more recent artists might object. I am working on a spoof post – “How to Make a Body” a tale of human reproduction in the style of an Internet recipe ad although, like Misky, the writing is all my own, I wanted an illustration to fit with the tone of the piece and prompted Midjourney to “imagine” a woman in a hospital bed, holding her newborn baby and with her husband leaning in “in the style of a Ladybird book cover”. For those of you who may not be familiar with Ladybird books, they were written for children starting in the 1940’s and running until the 1980’s and they feature a distinct style of illustration.
In recent years, a series of spoof books in the Ladybird style and aimed at those who had grown up with the original series, have been vert successful, for example…
I had no idea whether Midjourney would be able to fulfil my prompt, there are lists of artists’ styles you can use with Midjourney but I hadn’t seen this one – I was not disappointed!
I am keeping my powder dry as to the final image I chose but this first set of four (Midjourney shows off by producing not one, but four attempts in under sixty seconds) – which was done to the prompt of “A new mother in a hospital bed with her husband leaning in as she holds their new baby in the style of a Ladybird Book Cover” has misunderstood my intention and the mother is holding a magazine rather than a baby – though the graphic style is very Ladybird book-like. I acknowledge that I am still only a beginner in my use of prompts with all the forms of AI I have tried so far and there is undoubtedly an “art” to getting it right which is why I said “I created in Midjourney”. Although I am a competent watercolourist, screen-printer and other forms of illustrative art, I could not produce images such as the above and certainly not in sixty seconds. So, how much of this creation is my prompt, how much is the brilliant programming behind Midjourney and how much is owed to the various artists who could produce the illustrations of the Ladybird books? I cannot begin to answer that question but it does raise an issue which needs considering in formulating regulation around the use of AI. Meanwhile, like Misky and I, jump in and have a go and get a feel for yourself of the answer to the god-like feeling of creating with an AI tool…
Much of the debate around the consequences of the rise of AI, is around its impact on jobs and the potential losses and gains. As I described in my first report, the development of computer spreadsheets swept away the lowly positions in Accountancy but opened up many more jobs at the high end of the profession and although this might be the hope for AI, that it liberates us from the menial and allows us to create new roles – roles which might be beyond the capability of AI to imagine, at present, it is not just the menial tasks that are being threatened by bots like ChatGPT, but some roles higher up in various industries. Having said that, given the tendency of AI’s to hallucinate, I wouldn’t trust an AI’s writing without an experienced human checking the output of any writing before sending it out! Also, when you are a creative individual yourself, then trying to get AIs to produce exactly what you have in mind is tricky. In my 2021 A to Z challenge, I was trying to complete a science-fiction novel and the exercise gave me enough momentum to indeed finish it a few months later. Then I set about creating a book cover for it – to feature the final denouement – a tense scene set in a space-elevator on the edge of space. I prepared the background view by Photoshopping some NASA photographs looking the length of the Red Sea towards Palestine, painted in a great river estuary as per my planet, and then superimposed some 3D elements which I drew up in AutoCAD and finally added the title and my name. You can see this below, however, I felt that the result was not quite up to the standard of artwork commissioned by big sci-fi publishers and imagined that in the unlikely event of the novel being published, an improved version of the cover would be substituted for my “sketch”.
Back to today, and naturally, I thought it would be a good test of Midjourney to see whether it could be used to produce a better version of my cover. Well, the first attempts were brilliant style-wise, but nothing like the image I wanted and many attempts followed to no avail…
My prompt read “space lift arriving at 300 miles above Earth like planet over Sahara like region array of cargo containers spread out in one layer small spaceship approaching“Midjourney couldn’t understand Space lift and I had to change lift to elevator, it couldn’t understand “array of cargo containers” but it did have all the sci-fi style I wanted. So then I decided to create a space view background without the lift and substitute it into my own cover illustration. Bingo!
Still I hanker for the crisply detailed images of the elevator that Midjourney is capable of if only I could prompt it correctly – so a work in progress… What this exercise does show, is that it is possible to use AI for the things it can do better in combination with human talent.
In Conclusion…
This exploration of AI has felt like a marathon and it is just one person’s experience and I am really only at the beginning of my exploration, I’m sure I will find both text and image-generative bots to be of use in my future work and play. I urge you all to experiment for yourselves, form your own judgements (and please share your results by linking in the comments), join the debate over the regulation of AI, and explore other artists, in particular, Misky, who began this journey…
