Yule Log

The
shepherd
Attis who
killed himself
for shame because the
Goddess Cybelle forbade
him to look at anyone
other than her – but he was weak
– lay with a nymph – died beneath a pine
Cybelle brought him back to life, now faithful
– pine log
now holy…

Andrew Wilson, 2024

Attis died by castrating himself beneath a pine tree following the awful wrath of Cybelle, a Roman Goddess of Fertility whereupon she had a change of heart and brought him back to life – needless to say he did not stray again… But this myth was celebrated by Romans (strange but true) by the bearing of a Pine log through the streets – Pines now being sacred to Attis. Christianity often subsumed old festivals into itself and this is one possible origin of the Yule Log…
I wrote more about it here.

Over at dVerse Poets Pub,  Laura Bloomsbury in Meeting the Bar: Critique and Craft asks us to write an  Etheree poem about

Christmas tree(s) imagery, meanings, memories etc

or Conifer/Fir tree(s) imagery, mythology, memories etc

  • must be an unrhymed poem
  • no specific meter
  • one stanza only
  • 10 lines with no paragraphs
  • graduating from 1 to 10 syllables
  • [add lines 11 & 12 with just 2 syllables per line – my optional extra]

Thus the first line is monosyllabic; the second line has two syllables, and so on, until there’s ten syllables on the tenth line (then reverts to 2 syllables for lines 11 & 12 if you want this optional extra). The outline of your poem takes the concrete shape of a fir tree. Centre it on the page else left or right aligned it’s only half a tree! (X=syllables not words)

I Love Lucy

At five or six years old
on holiday near Swanage
we watched TV for the first time
and what we saw was
I Love Lucy
an American sit-com
my Dad was not a fan
American rubbish
he declaimed
but with a longer view
the series was quite bold
ahead of it’s time
depicting as it did
an inter-racial marriage
that might seem
commonplace today
back then caused
moral outrage
but we British children
more taken up with
the novel medium
saw nothing amiss
in the union of
the eponymous Lucy
and her husband Desi…

Andrew Wilson, 2024

Over at dVerse Poets Pub, Melissa Lemay in Uncategorized invites us to write about favourite TV shows…

The Great Wave off Kanagawa

The eponymous Great Wave
circles the centre of the woodcut
in an exaggerated piling up of water
as when two waves pass through
each other and multiply their height
and over-face themselves.


We are far out to sea off Kanagawa
as we can see once we notice
the dwarfed Mount Fuji
placed as if the wave is
about to crash down on it
spume dropping like snowflakes
onto the snowclad mountain top.
The mountain once noticed.
is made up of different curves
– those of a volcanic cone
and not these monstrous imaginings
of the Great Wave.

We can be forgiven for not noticing
a whole mountain, not least because
the same limited palette of Prussian,
Cerulean, and Sky Bue with hints of
black are used throughout
with a mushroom coloured sky
louring over the distant Fuji
camouflaging its presence
– hidden in plain sight
– even when framed by the action.

On further examination, we may realise
we have missed two fishing boats
lying flush in the curve of the troughs
between the Great Wave and its siblings
each boat crewed by ten souls
in peril on the deep
– eight clinging for dear life
in the stern of each boat and two
for some unaccountable reason
further for’ard.
Certainly these boats and fishermen
are in peril, as are all seafarers
though I am not
convinced their craft are not
designed to weather
such waves as these
shipwrights know their seas…


The Great Wave of Kanagawa
is an artist’s conceit
a representation of possible peril.
to capture the imagination
of a people who live in permanent peril
– from volcanoes, earthquakes, and
they gave us the very word tsunami
and this representation of
perfectly frozen in place peril
is the epitome of Japanese style
– an image that like few others
is known around the world
printed on bags and worn on T shirts
or simply hung on walls
from Fuji to Finland
from Tokyo to Timbuktu
a universal icon of the raw power
the peril and heedless beauty
of the sea – indeed of all of nature
before which all we
mortal men
may tremble
and do defy
at our peril…

© Andrew Wilson, 2024

It is OLN – Open Link Night over at dVerse Poets Pub which is hosted tonight by Mish. As a mini prompt she shared Katsushika Hokusai’s  “Tiger in the Snow” which may have been his final creation. But I had already written an Ekphrastic poem about Hokusai’s most famous image “The Great Wave Off Kanagawa” and it is that poem I chose to share tonight. it was written in my writing group where we considered the woodcut…

Old Dragon

I am an old Dragon
To be precise an Old Draconian
Old in man years anyway
Almost three score years and ten
Though that is probably young
As dragons go – joined in ‘62
Leaving class of ‘66.

We wore a uniform of
Rufty-tufty, navy-blue corduroy
No namby-pamby
“How To Train Your Dragon” this…
Boys with siblings from older clutches
Inherited the faded battle dress style
Uniforms – wore them with pride.

We learned to swim in a river
Conquering our fear of Willow roots
Reaching for our doggy paddling legs
And on the playing fields in late summer
A whole barrel of cherries would appear
For our delectation and at another time
Also, we presumed, the gift of an Old Dragon
A crate of pomegranates appeared
To introduce our tastebuds to the exotic.

Seasonally, we played marbles
Tricky enough when our playground
Sloped from all directions
To a central drain and my best friend
Espying the gathered horde collected there
Lifted the grate and clawed up
Aggies, bottle tops and common spirals
But lost a nail replacing
The heavy cast iron piece
Causing blood to flow
Unfelt with the shock.

Most Dragons scions
Of the rich and good of the land
Knowing their path to wealth
Would be smoothed at every step
But I came from humbler stock
Yet my parents, believing that
Rubbing shoulders with the best
– Though not a comfortable experience
For the young dragon, I was-
Suffering mildly from imposter syndrome
– Would alone be preparation
For life’s later battles
They scrimped and saved
That I might attend
The Dragon School, Oxford…

Andrew Wilson, 2024

Over at dVerse Poets Pub, kim881 in Poetics invites us to write about Legendary Creatures which as you have read, I, albeit modestly, must count myself amongst…
https://www.dragonschool.org/

Fake News

The last time that the president-elect was indisputably seen in public, was at his inaugural rally at which a third presumed unsuccessful attempt on his life resulted in his being whisked away and out of sight.
After a night of panic by his supporters, a reassuring video was released of the now President, sitting up in his hospital bed and raising a fist in a defiant gesture. Thereafter, the POTUS made no live appearances, his team stating that three attempts on his life were quite enough.
The irony was that the techniques which had served the president during his candidacy for re-election, to smear opponents, were now used to supplant the presence of the ageing and unstable would-be dictator. Deep fakes, AI-generated speeches flowed forth, for God knows, there were enough speeches to train the AIs in the rambling, vitriolic, and emotion-soaked appeal that was the President’s trademark. The crew that had pushed the president forward over the last four years, not to mention his long-suffering wife, breathed a sigh of relief and prompted the AIs to generate a more coherent presidency which went exactly to plan…

Winter has come forth
freezing forever the fruit
of misbegotten dreams…

Andrew Wilson, 2024

Over at dVerse Poets Pub,  Frank J. Tassone in Haibun Monday dares us to create a sci-fi Haibun…

Wind Riven

Two types of wind encircle the earth
Trades, Westerlies and Easterlies
Blow steady and dependable

They let wind sailors venture forth
West-East, East-West, trade routes they plied.
Moving Saharan red dust fabled

Steering the cyclone’s rushing curse
Yet land too creates strong breezes
Sometimes too, quite seasonable

Hot, cold, blowing for all they’re worth
Wet, dry, flood, drought, make people flee
Winds can smash man’s plans to rubble

Or bring the life-sustaining rain
 – Wind never the same – blows again…

Andrew Wilson, 2024


A ship sailing in very light winds leaving the Doldrums from “Sailing Round Cape Horn” by Gunther t. Schultz – an artist’s record of the last days of commercial sailing ships. 1954 – London – Hodder & Stoughton

Over at dVersePoets Pub, Laura Bloomsbury in Meeting the Bar: Critique and Craft, invites us to write a Trillonet on the subject of Wild Winds…
A Trillonet is a special form of sonnet comprising:

14 lines
4 tercets (3 line stanzas) ending with a rhyming couplet
rhymes scheme is ABC, ABC, ABC, ABC, AA (or BB or CC or DD)
in iambic pentameter of 10 syllables (5 feet) per line
or iambic tetrameter of 8 syllables (4 feet) per line

Fouling the Nest…

Image by Andrew Ridley

Are we in the Autumn of our days
will civilisation as we like to call it
fade to red and wither beneath
climate over warmed skies

when skies are hanged and oceans drowned,
the single secret will still be man
*
who has fouled his nest
which is the whole world

watching the world go by for lockdown hours
viewing live streams from the ISS
the Booker winning author of ‘Orbital’
reflected on our devastating impact

mostly at night the impact of man’s
expansion to every corner of the Earth
can be seen spelt out in light pollution
other damage scarcely visible from space

damage like smoke from wildfires
once natural – now stoked by climate change
more frequent hurricanes and worse…
and one-time lakes and reservoirs now dry

these things you may see from space
however pristine the planet appears
but the truth is out there
and space itself is littered with debris

a layer of debris – mainly plastic
marks the Anthropocene
and future, alien archaeologists
may label the sign of our demise as –

fouled nest syndrome…

Andrew Wilson, 2024
Last night down the dVerse Poets Pub, Melissa Lemay in Poetics offers us reflection as a prompt of the photo above paired with the italicised lines marked *. The lines are taken from [what if a much of a which of a wind] by E. E. Cummings.

Whatever…

If it’s true we grow to look like our pets
what possesses someone to buy a Sphinx?

What do Gay people look like
and can straight people bend?

What if they’re right?

Whatever we think we are doing with
social media – is it true?

© Andrew Wilson, 2024

Tonight, over at dVerse Poets Pub, whimsygizmo in Quadrille 212 asks us to contemplate What the What?
(A Quadrille is a poem written in exactly 44 words…)

Signature Dishes – a Lyric Essay

A signature dish usually has a story
Rooting its cook in the time and place
Where it was acquired and from whom…

Palaver Sauce was my first glorious excursion into cooking in a different way, and I brought it out at dinner parties for many years and told its story. The American professor of West African studies who taught my fellow student and I to stew the things which convention would say ought not to go together, red meat and white, and salt fish…

Goat—funkier than lamb, nearer to mutton
Chicken – chopped in chunks still on the bone
Salt Dried Cod – ancient African currency that once bought slaves
Spinach sauce rich with garlic and chilli
Turmeric, my own addition.

Palaver is the Portuguese word for quarrel but there is no argument once cooking’s worked its magic.

My old boss Tony, took me for a meal in Manchester, in a church converted to a hotel and restaurant with a swimming pool in the Lady Chapel and Venison Marinated in Strawberry and Stilton on the menu.
Tony gave me my first job as a cook—I will not honour it with the title chef.
Ratatouille
Chilli con Carne
Six Quiches, various
and six buckets of salad each morning
developed my skills and gave me staples so that years later when I opened my own restaurant, Frewin’s, The Carroll Hotel long gone, I sentimentally made that Venison dish my own signature, menu centrepiece…

Small things can make a signature dish
I nestle walnuts into Apple Crumble topping
For who thinks of roasting walnuts
Yet how delicious is this tiny touch
Browned at the crown but protected from burning
A rival to its cousin Pecan Pie.

But crumble never overtook Bread and Butter Pudding at Frewin’s – I made a rod for my own back with that one, so often was it ordered, but at least it could be made at a moment’s notice – the ingredients always to hand…

Buttered Brioche bread
Cream
Milk
Eggs
Veins of sugar and raisins interleaved

Ramekins into the microwave until the mix began to rise and then into the oven to swell and brown – the look on diners faces when the souffle impersonating dessert arrived hot foot…

Christmas Dinner for the whole family, though a favourite feast, is my least favourite meal to cook – all logistics and creativity giving way to tradition. Yet special meals are not always for the many, once, I spent a quiet Christmas with just my sister, Carol, in a town in Roscommon where a halal meat packing plant had populated the place with Pakistanis and the supermarket shelves with foodstuffs I could have found back home in “Bradistan*”.
I decided to treat Carol to a “desi**” breakfast such as we had both enjoyed in Bradford. Such fun making wholemeal, spinach pooris, flicking the wrist to spin the disks discs like frisbees, into the deep fat fryer – watching them inflate like little green footballs then eating the curry and lime pickle with pooris and fingers, not forks and spoons.

Also at Carol’s command
I recreated a Victorian favourite
Sussex Pond
Suet Raisin pastry
Crudely thrown together
Roughly rolled out
To line a plastic bowl
A chopped-up lemon
And equal weights of
Butter and muscovado
The filling in and
Pastry top crimped down –
Four minutes in the microwave
Is all it took and
When the pudding –
Turned out on a plate
Was cut into – out poured the
Pond water, rich and brown
Its sweetness offset by
The chunks of lemon.
This too graced my restaurant
Tables for special guests
With suitable appetites for
Suet pudding – I promised
To deliver in just twelve minutes
Start to finish and
I never lost my race…

Food is life, and love, and comfort
and is it any wonder that
it generates stories
rooted in people, places
traditions and relationships
flavours and feasts remembered…

© Andrew Wilson, 2024

* So many Pakistanis came to work in the mills of Bradford, that it was sometimes referred to as Bradistan.

** from the Sanskrit word “Desh” meaning “country”. The word “Desi” refers to something “from the country” and so for Pakistanis in Bradford, it means things from the old country – desi food, desi calendars, and desi dress.

Over at dVerse Poets Pub, in Poetics: Satiating the Soul, Punam invites us to celebrate any or all of the things that go to make up the Hindu festival of Diwali – cleaning the house, preparing food, and celebrating the festival of Light with friends, family and everyone else…

I have been intrigued for some time, by the idea of the lyric essay and have bought books by Claudia Rankine and Kathleen Graber as examples, but the form is as slippery as a fish and impossible to pin down. Writers.com begin a very good attempt at definition by saying “Lyrical essays explore the elements of poetry and creative nonfiction in complex and experimental ways, combining the subject matter of autobiography with poetry’s figurative devices and musicality of language.” This is my first serious attempt at the form…

Seeking salvation in drink…

Many a young man
thinking himself
“on a promise”
with a young woman
has been doomed
to disappointment
having misread the signs
or having allowed his
thoughts to stray
into the realms
of wishful thinking
may seek to salve
his ego
in wanton drinking…

© Andrew Wilson, 2024

Image by Midjourney

Over at dVerse Poets Pub, lillian in Quadrille, invites us to write a Quadrille ( apoem in exactly 44 words not including the title) that should include the word, if not the concept of “promise”…