Curved Air

https://open.spotify.com/album/7hfA825fDvgS0W95LV5kDy?si=6_nYV-_SS1GBEyWfHkcQxA

My taste in music is eclectic
but there is some music which
locates my roots as such
with fusion rock & classical electric
screaming guitar solos
and no small touch
of sexy female vocals
singing of “Back Street Luv”
to 60’s Pop it was emetic
Prog Rock group Curved Air
their singer fresh from being in “Hair”
pulls me back to teenage years
and this, though compilations
may be infra dig,this is the sound
and album cover that I love
not least because I’ve flown
in just such an one and
might have seen in heavens above
A Rainbow in Curved Air
from which this band
derived their name.

© Andrew Wilson, 2024

Over at dVerse Poets Pub,  Mish in Poetics invites us to pick a favourite album cover and write an Ekphrastic poem…

This album by Curved Air was released during a twenty-year quiet period for the band and I love it because it is a great compilation that has blasted from my car speakers on many a drive but also because, in the 1970’s, I flew in a De Haviland Tiger Moth biplane as featured on the album cover – what’s not to like. If you are unlucky enough not to know the meaning of Prog Rock – you could do worse than jump into this album – volume as high as your speakers can immerse you…

Autumn

days of Autumn now
remind us of our own days
of Autumn coming

towards year’s closing
fruit and other harvest swells
before Winter’s knell

we too can fill stores
with our hard-won knowledge and
bless those left behind

© Andrew Wilson, 2024

Over at dVerse Poets Pub, Punam – paeansunplugged in PoeticsUncategorized, invites us to write about Autumn at least once this year…

Vampire ll

A Quadrille…

Vampires have to be
permitted entry
one night
laid low by other losses
I let you lie with me
bleed me dry
almost
though not enough
to feed your need
you never turned me
sought out fresh blood
but you marked me
for life…

© Andrew Wilson, 2024

This week over at dVerse Poets Pub,  dorahak in Quadrille invites us to write a poem on the undead – Vampires…

‘Give us a 44-word poem including the word “vampire” (or a derivative thereof, such as “vamp”)’

I was awakened by another’s insomnia and then couldn’t return to sleep myself so ar 4am this poem sidled into being, but confused by the hour, I wrote 144 words instead of 44 – but I guess they needed to come out and so, having posted it in error, I was challenged by Dora, our host, to distill it down to 44 – it still works I think, but if you want to read the original – hit the Home button to find it below this post…

Vampire

Like a vampire
you had to be let in
I knew what you were
kept you at bay
but one night
laid low by other losses
I let you across the threshold
to lie with me
you bled me dry – almost
not all at once  but daily
feeding but not enough
to feed your need
an amour fou
that even though I knew it
I could not break the spell
and when I was close to death
you moved on to fresh blood
though you hovered
on the periphery
for the odd feed
you never turned me
and yet though you are
far enough away now and I
am recovered
perfuse again
and have walled you off
in my mind
you have left your mark
for all time
as all lovers do
if lover you were
and I will never be
as I once was
innocent of all…

© Andrew Wilson, 2024

This week over at dVerse Poets Pub,  dorahak in Quadrille invites us to write a poem on the undead – Vampires…

‘Give us a 44-word poem including the word “vampire” (or a derivative thereof, such as “vamp”)’

Fifty Years in Fifty Minutes

Do we wear watches
or surround ourselves with clocks
to rein in our unruly
perception of time passing
“Oh heavens! Just look at the time!”
we say to an old friend
with whom we have been
immersed for fifty years in fifty minutes.

Even battery operated quartz clocks
can produce a metronomic beat
if we listen hard enough
but a pendulum grand father
case clock cannot be beaten –
ticking and tocking
the heartbeat of a house.

On TV The Repair Shop
at its allotted hour
restores treasured items
and the clock maker
is much in demand for –
mantel clocks with chiming mechanisms
corner the market for memories
of loved ones lost since childhood
when they made the soundtrack
of visits to grandparents
uncles and aunts.

Offices with Bauhaus severe wall clocks
Place them where drones can regulate their work
but if the heart isn’t in it
then they offer clock-watchers little solace
because a watched clock stretches time
with the incremental twitch of its hands

Once, clocks marked retirement
condemning the wearer
to pointless hours
with no consolation for being
wrapped in a gold case –
markers of growing up –
making the grade –
tokens of affection…

The utility of timepieces
nearly died with the ubiquity
of mobile phones with which
even children have
a constant time coach
an alarm clock, an egg timer
and a sports stopwatch
tickless and tockless in their pocket
time always on top –
at least they don’t show
the sands of time running out
though doubtless
there is an app for that.

There is now no excuse
not to know the time
broadcast by the network
linked to an atomic clock somewhere
but still a clock cannot control
the flexibility of time in mind
our stretching it out
in the instant of a crash
our inability to slow it
in the minutes before parting
the long minutes as medics
attempt resuscitation
before a doctor finally calls time.

Time is not always our friend
yet we carry a constant measure of it
in our pockets or strapped to our wrists
for fear of missing out…

© Andrew Wilson, 2024

Posted for dVerse Poets Pub Open Link Night where you can post one poem of your choice – Björn Rudberg (brudberg) is managing the pub for this after returning from his epic hike from the northernmost tip of Sweden to the end of the mountains in the south (1346 km in 53 days)!
This is another poem which is the fruit of my writing group where we were writing “in the shadow of” The Watch by Danusha Laméris

Down to the Sea Again…

People ask if I miss Ireland
but I can travel there anytime
in my mind’s eye
standing on the rocky ledges
three hundred and fifty million years old
as gentle swells roll in from the West
smoothly curved as a reclining breast
no more than eighteen inches high
rising to just below my feet
it looks gentle but one
slightly higher wave
spilling onto the ledge
would take the feet from under me
pluck me into the water
the high tide daring me
to stand so close to the edge
I guess six tons of water
moves within six feet of me
six feet deep and a few million years
of fossil coral reef beneath me
slowly etching back into the world
with every passing swell

I set up my rod and cast
whose first retrieve
snags a bunch of seaweed
with a Pipe Fish
– a straightened cousin
of the Seahorse curling its
tail to cling amongst the fronds
the pollock are running
and I cast my heavy silver Toby again
splashing into the glassy Atlantic water
so clear I can see the bottom
slowly retrieve, pausing, simulating
the rise and fall of a weary baitfish
my lure is about to break the surface
when the Pollock strikes
turning in a thrilling
savage flash of silver
right before me.

I walk my haul back along the ledges
past the place I met the otter
– playing hide and seek
with matching curiosity
for a full twenty minutes
after he slipped into the water
and dived only to resurface
elsewhere to spy on me repeatedly
– until I turned the tables
to crouch out of sight of him
making him the seeker…

Past the lime kiln
dug into the low boulder-clay cliff
now half exposed revealing its
bottle shape – lined with
fire-proof granite boulders
gleaned from its digging out
when was it built and how many
houses did its quicklime mortar
build in turn – perhaps ours…

I file these memories
of sparkling swells
in the most special room
of my Memory Palace
to be visited on dull days
far from the sea
or maybe set down in verse…

© Andrew Wilson, 2024

Over at dVerse Poets Pub,  lillian in Poetics asks us to write to a line from the Mitch Miller song “By the Beautiful Sea

Tableau of the Fallen

From my writing seat
the window frames the
tableau of yellow leaves
the wisteria
has met with Autumn
too early this year

Did I not water
one crucial day when
wind plucked the water
as surely as sun
drying out the leaves
killing them too soon

Today that same wind
plucks them from the vine
to lie in yellow
drifts upon the ground
the devastation
plucks at my heart too

Do those leaves accuse
me for lack of care
plants grown in a pot
need more vigilance
did I then fail them
like Gaza’s children

Plucked from life too soon
all because Zion
“is mowing the grass”
arms makers making
money from the war
leaders not leading

Have we the people
seeing the tableau
of all the fallen
done enough for those
unlucky to be born
trapped in a pot

They did not choose to
be born in a land
others had decided
they could not share with
had to have it all
to be safe from death

Children of Gaza
lie countless as my
wisteria leaves
accusing me of
not raising my voice
sufficiently yet…

© Andrew Wilson, 2024
Previous poems of protest and images generated in Midjourney…

https://how-would-you-know.com/2024/03/six-questions-from-pablo-neruda.html
https://how-would-you-know.com/2024/08/breaking-news-and-hearts.html

Over at dVerse Poets Pub,  Laura Bloomsbury in Meeting the Bar: Critique and Craft, marks the birthday of American poet Sam Hamill (1943-2018) of whom she says “Hamill’s poetry is absent on rhyme and heavy on unadulterated lyricism. He talks his poetry to the page as here in “After Morning Rain” which switches between his personal loci and wider, world issues […] Hamill was a poet both in the world and of the world, being the leading light for ‘Poets Against the War’ and still his poetry does not stray far from what he sees, feels and knows directly”.

Laura also asks us to write in the poetry form ‘The Tableau’ created by Emily Romano in 2008:

Poetry Style:

  • 1 or more verses
  • 6 lines per verse
  • 5 beats/syllables per line

Poetry Rules:

no rhyme scheme
title should contain the word ‘tableau’
poem should aim to be pictorial

Revolutionary Laughing

I read a book by
a Serbian revolutionary
sharing his experience
of nonviolent action
to bring down dictators
and even military juntas
his greatest tool – laughter
poking fun utterly defeats them
imagine trumpety-Trump
the big, inflated, orange baby
wouldn’t he just hate it…

© Andrew Wilson, 2024

Over at dVerse Poets Pub, Mish in Poetics invites us to write about laughter and since I have little time before work, and as I am getting into the whole Quadrille thing, I have written something in just 44 words.
As a child, one of our favourite records to come on the radio, because it inexorably activated our audio mirror brain cells and had us giddily joining in – I give you “The Laughing Policeman” by Charles Jolly/Penrose…

Oh, and the book – Blueprint for Revolution, by Srdja Popovic

Spin Cycle

Separate whites from coloureds
wisdom has it
but my clothes are so old
there’s no possibility of
dye displacement
I am a keeper
I have T-shirts
forty years old
faded a little
but not turned pink
I use conventional wisdom
when washing something new…

© Andrew Wilson, 2024

Over at dVerse Poets Pub, whimsygizmo in Quadrille invites us to write a Quadrille – a poem in exactly 44 words – a regular feature at the pub and although we may use “spin” in any sense of the word, I immediately thought of a recent poem I wrote on the subject of washing clothes. The last stanza was 46 words long and might have made a standalone poem with just a two-word edit but I decided to practise the art of distillation and go for editing the whole poem down to 44 words to see if it caught the gist of it. I include the original below so you may be the judge of whether it works or is an edit too far…

Colourfast?

Always separate whites from coloureds
in your weekly wash
conventional wisdom has it
as passed down from
mothers to daughters
and even to sons
given the reluctant recognition
there will be a lacuna
between a mother’s ministrations
and another’s

But my clothes
are for the most part
so old and washed
so many times
there’s no possibility
of errant dye displacement
polluting one colour with another
so I sort according
to type – trousers and pants
socks and shirts
one wash destined for
the drying rack
one on coat hangers
hung up to dry

I am a keeper you see
I have T-shirts and
hand me downs
from my late father which I calculate
must be forty years
since newly purchased
on a trip to Australia
did my mother hope
to see some resurrection
in my wearing them?

Those T-shirts have
I grant you
faded a little
the fabric at least
if not the poster extolling Australia
or the intricate dots
of aboriginal art
but they haven’t turned pink
in some laundry accident
I do, after all
use conventional wisdom
when washing something new…

© Andrew Wilson, 2024

Alone Is the Star I Follow

alone is the star I follow. In love & in solitude
 – from February & my love is in another state – by José Olivarez

to live with the one you love
Is to immerse one’s self
in the illusion of not being alone

but alone we truly are
Coming into, leaving &
passing through the life of this world

so when illness, short of death
physical or mental, intrudes
we are shocked by our solitude

reminded we are alone even
in the presence of the other
and all the constructed togetherness

house, history and family
are all props in the play
& all of us but strolling players

not to disrespect the construct
which is our way of fighting entropy
creating meaning amongst disorder

we weave our fabric and let our flags
flutter in the winds of vicissitude
for friends and family to rally round

but in. the end, we are all
fallen soldiers in a battle
that nobody can win

Take the timely reminders
of essential solitude
to wrap your flag more tightly

around you & your loves
and Reaffirm the meanings
you choose to fight for…

© Andrew Wilson, 2024

Over at dVerse Poets Pub, Punam – paeansunplugged in OpenLinkNight offers us the chance to post a poem of our choice. This is one from my writing group after discussing and writing in the shadow of “February & my love is in another state” – by José Olivarez