1st February: Ten Things of Thankful

Ten things for which I give thanks this week…

1 – The sun is shining!

2 – My daughter, Beverley, is coming round later to do some housework. I say my daughter, but step-daughter, strictly speaking, but after being in her life for 43 years out of 56, I go with daughter. She comes round every Tuesday to spend time with her mother but has gone by the time I get back from work, so I regard this as my time with her and we will sit down to tea and a chat as well as the cleaning…

3 – I can confirm that signs of Spring abound…

These bulbs have been planted for a few years…/
Whereas these ones, and the ones below, were newly planted last Autumn…

And these straggly strugglers, must have self-seeded in a pot of mighty Stargazer Lillies that just get bigger every year…

Shrubs too are preparing their blossom…
And as testament to how little frost we have had (so far – fingers crossed), the Nemetia has survived the Winter outside – which is as well since we have nowhere indoors for them…

4 – I still have a job! Work is calming down – a bit – as I wrestle the details of labelling product under control…

5 – I have stopped beating myself up for not progressing the novel and have decided to stimulate my writing by undertaking the 12 Short Stories in 12 Months challenge. The January prompt was Glow and I uploaded on the prescribed day and have received one positive comment so far. You have to comment on at least 4 stories… My Writing Critique Partner, Nik, in troubled Minnesota (troubled by Trump and not the alleged crime wave) but I haven’t been able to find his story yet amongst the 510 other stories…

6 – This group of supportive people

7 – I have managed to spend some time writing for my April A to Z – I am midway through “C” – who knew there were so many fabrics beginning with “C”…

8 I have been trying out a Continuous Blood Sugar Monitor – a free sample from a company who hope to get me hooked on their product, and indeed, I have ordered a month’s supply to follow on, but at £30/10 days usage, it is too expensive to carry on permanently, and my doctor’s practice refuse to fund it instead of the finger-pricking tests that risk neuropathy of the finger tips at £30/month. So I am trying to learn what I can in a month + and may or may not carry on after that. Here’s what I have learned so far – its very convenient to beable to check my blood sugar, 5 minute by 5 minute, on my phone, if slightly addictive. The experiment has incentivised me to make a spreadsheet of all the carbs I eat and between the monitor and my monitor, I have been able to see what effect carbs have on my body. So not only have I reduced my daily intake to 168 grams per day, but I have been able to hone my meals to slower acting carbs thus avoiding big spikes. I advise anyone who is type 2 Diabetic, to give these sensors a go, even if, like me, it is only for a month – to gain insight…

9 – Weekly washing done and in the dryer or hanging up to dry…

10 – Made it to TTOF…

Have a great week everybody!

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Giving Birth

You write a novel lickety-split
the words pour out upon the page
the word count rising like a fountain
scenes fill chapters – chapters parts
That’s when the fun starts

What you have is just a first draft
send it to an agent, they would just laugh
assuming you even made it off the slush pile
rejection letters bring you down for a while
but you must pick yourself up
dust off your writing tool of choice
and launch your second, third and even fourth draft
polishing your bon mots, refine your voice,
flesh out your characters, channel your craft
That’s when the fun starts

Recruit a critique buddy
bully your friends and family into reading
confess to your partner you fear it needs a professional
count your pennies into tottering piles
it’s unlikely they will reach an editor ceiling
What the Dickens! Release your Kraken in blog-size bites
fret not at savage comments
don’t get into fights
enough opinions to make your head spin
That’s when the fun begins

At last your manuscript is done
but you must face one last and monumental question
to publish yourself or on great houses wait
or look for small and independent publishers
but are you sufficiently niche, do you fit a genre
and if you forge heroically through this labyrinth
That’s where the fun starts

Editors and graphic artists are but a few
wait till the sensitivity readers
get their hooks in you
blurbs written by the great and good
all these hurdles you should reckon
to jump and clear if write you would
and getting published…
That’s when the fun starts

Interviews and promotional tours
signing your book so much it bores
and after many hotels bland
your royalties pay for holiday sands
but just as you lie back sipping a drink
your editor ringtone and phone start to blink
No rest for the weary – up and at ‘em dearie
Success means your public seek for seconds
strike while the iron is hot she reckons
You face a blank screen…
That’s when the fun starts


© Andrew Wilson, 2024

Over at dVerse Poets Pub, Grace in OpenLinkNight invtes us to submit a poem of our choice! This poem, tongue in cheek, is not from personal experience but pure wishful thinking, and were it to come true, it would be, as somebody once said “A lovely problem to have…”

The Cartography of Life

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;

From The Song of Wandering Aengus
By William Butler Yeats

Happy the man who dreams his purpose
plots his course to achieve that very goal
marches to the beat of his own drum
and pity one forced to follow roads
laid down by parents’ aspirations
but I drifted into adulthood
with no pressure and no direction
and took many turns along the way
slowly grew into the man I am
Though I am old with wandering

Love life is the companion to work
the superficial couplings of youth
conducted with more vigour than sense
reaching the sunny uplands mid-life
settling into a career I thought
would last a lifetime, a love to match
but people carry pasts within them
like hidden rocks in a calm ocean
and accidents deflect one’s passage
Through hollow lands and hilly lands

To know another is a life’s work
the unity of coupledom is
illusion, we travel parallel
at best, learning the geography
of roads built across bogs of trauma
always ready to gently subside
and mire a person in buried past
and paths are hard to find in a slough
of despond and she has lost her way
I will find out where she has gone

Looking back at the path I followed
there is more coherence than I thought
skills grown and transferred in work and life
and love too, so much surer than in youth
and all the scars and breaks accreted
are the medals of experience
and trying not to look toward the end
but focus on the roadside flowers
the next generations we began
And kiss her lips and take her hands…

© Andrew Wilson, 2026

Over at dVerse Poets Pub,  Björn Rudberg (brudberg) in FormForAllMeeting the Bar: Critique and Craft, invites us to writa a Glosa, a Spanish poetry form in which four lines borrowed from a poem by another – the cabreza, are expanded upon over 4 ten-line stanzas… I chose lines from WB Yeats, who I have loved since studying him at school, and whose poems still resonate with me today. In 1995, I went to live in Sligo, Ireland, where Yeats is from, and is buried beneath nearby Ben Bulben mountain. I was a signwriter and painted a sign and mural of Yeats and his work, for The Winding Stair bookshop there – you can see me working on it in this news clip

Colours of the Day

The light filtering through the shutters
picks up a little of their blue
on its predawn passage
into the white-walled
beige, marbled floor bedroom
sun rises swifter than at home
not quite the tropics
but tantalisingly close to Africa

The sun rises scarlet and
all-consuming of the sky
– silhouetting the island
dark purple across the bay
Red sky in the morning
doesn’t translate to Crete
where most days in this lockdown Winter
that is not like our Winter
begin with a red curtain raiser.
Soon blinding light floods the sky, the Bay
the mountains delicately bluing their shadows
and highlighting their tops
before the rising heat filters
everything with glimmering heat haze.

We sit in the shade of the terrace
beneath the deep green leaves
of the carob tree and count
the millipedes that have climbed
the delicately off-white walls
in the night dash, reaching for
who knows what insectile heaven…
A fallen comrade
dark brown in desiccation
is moving sideways
in unlikely reanimation
until we see that his body
is being carried back to the nest
by a tiny black ant a tenth his size
we sit astounded by this feat
but don’t forget to film it
for posterity or a rainy day reminder
when we are one day returned to England.

I walk down to town for market day
mixing with brightly dressed
younger women and black wrapped
older ones in widows weeds
with only an occasional male
to keep me company.
The azure sea is only feet away

The couple who live on the yacht
just out in the bay
are here, and we chat in the shade
of a vegetable stall loaded with
piles of black glossy aubergines
and ripe red tomatoes next to
bunches of wild greens, picked
from among the hundred or so
Crete proffers – if you know
what you are looking for.
Cyrille’s once blonde hair
is salt and pepper
tied back in a ponytail
their clothes too, faded with
exposure to sun and saltwater.

I spend some time chatting
with the banana man
who sells nothing else
and whose English is good
enough for a conversation.
I am English and so not averse
to discuss the weather –
he talks of the recent
thunderstorms whose hailstones
devastated his neighbours’ crops
but divinely spared his
while Barbara and I had been
enjoying the night of sturm und drang
from the safety of our covered balcony
the crackle and crash of it
ricocheting and rambling around
the mountains and – the ultraviolet
flashes turned into dark sound.

Walking back up the long hill
to the village, I pass the
white and ochre, black and grey
patchwork trunks of the group of gum trees
foreigners too – all the way from Australia
these strangers who fit in so well
people believe them to be native.

Home again in the cool of the flat
and after a siesta
I pick a bright yellow lemon
from the tree within reach of our balcony
and squeeze it into dark green olive oil
to dress the salad of tomatoes
and cucumbers I hauled up
from the market – dot it with
tiny Cretan olives – mostly grown for oil
and look out on the bonfires
ranged around in the olive groves
as farmers burn the prunings
of their trees.

Night falls quickly
colours fade to black…

© Andrew Wilson, 2024

Over at dVerse Poets Pub, lillian in OpenLinkNight invites us to submit a poem of our choice for Open Link Night…

Ars Poetica Abecedarium

A poet is a person whose language
Becomes a special form of
Communication, a message –
Directed words with meaning for
Everyman in their world of “things”
Flinging out new ideas for the times,
Gestating a better way to grasp for
Hope that births a movement from
Individual to friends, to groups that
Jump to join a movement with
Kinetic energy that enjoins all to
Love, not hate, the poet sings
Metaphor, alliteration and rhythm and
No style or form is unsuitable to carry
Out the mission sacred, the
Poet’s role from print to poetry slam
Questioning, commenting, highlighting
Rights denied, inequity amplified
So the message – at first a pretence
Trickles, seeps, runs like a stream
Underground, which nobody can dam
Violence cannot hold back the flow of
Waves of awareness, rejection of the
Xenophobic in favour of the xenogogue
Young and old align in the new
Zeitgeist and the poet seeks new inspiration.

© Andrew Wilson, 2026

Over at dVerse,  Laura Bloomsbury in Meeting the Bar: Critique and Craft, invites us to write an Abecadarium Acrostic poem for the start of the year…

The Outing

Danger is not always found in dark places
and on a sunny, sparkling water day
I nearly lost my life sailing a dinghy
a day after the storm swept the Mediterranean
the only sign of its passing, the
long lazy undulating swell that
swished almost silently up the slipway
where my friends helped me position
the tiny boat with its single sail brought
on a roof rack, their part played, they
departed for our rendezvous down the coast

Out round the headland and turn right
was my plan, it seemed feasible
mast stepped and rigged, I pushed off
down the concrete slipway, which, slippery
with slime, shot me downwards into
the clear water of the corner of the coast
the cliffs stretching out to the headland
on my right, and behind me to the left
a rocky stretch, broken only by the slipway
enclosed between concrete walls where nobody
watched my sudden progress into deep water

I pushed the daggerboard down into
it’s slot, tightened the sail, and
gripped the tiller to set my course
– a series of alternating tacks left to open sea
and right, towards the cliffs, then
a couple of tacks into the wind should do it
I thought, then around the headland
and a straight run down the coast
the wind behind me and a peaceful glide
to the rendezvous beach
but soon I realised that every tack
away from the cliffs – broadside on to
the greasy swells, rolled me strongly, spilling
the wind from my sail, slowing my progress and
each tack into the wind, was not making
the progress I hoped, and each time
I found myself back at the cliff, faster
than seemed right, and then
I saw the cave beneath the headland
a lazy wave suddenly smashing
tons of water into its maw and
I realised my efforts were only
bringing me closer to being sucked
into that awful mouth and crunched
and nobody would ever know
what became of me and so
discretion, the better part of valour
I turned around and with the wind
behind me, I headed back to the slipway

But danger was not yet passed
as I remembered the slippery slope
I would have to negotiate, and speed
seemed the only way to reach the
top and with no regard to the
bottom of the boat, I urged it on
pulling up the dagger board at the
last minute and trusting my aim
I shot up the slime, sail still straining
and tumbled out near enough
to the safe ground to make it up
with just one slip and
pulled the dinghy after me
before a following swell should
pluck it back…

© Andrew Wilson, 2025

Over at dVerse Poets Pub, Dora in Poetics, invites us to write in the manner of Elizabeth Bishop, paying particular attention to consciously incorporating accuracy (detail), spontaneity (immediacy), and mystery (revelation) in writing the poem.

Christmas Tableau

Rowland Hilder trees
pepper the landscape
and last week’s snow drifts
still lie in the shade
of the drystone walls
of the Yorkshire Dales

Farmers bring out feed
for the hungry sheep
kids complain now schools
have reopened
but coming Christmas
buzz is in the air

Householders spaff light
in competition
to claim the prize for
showiest display
of unnecessary
Xmas symbolism

and “Once upon a
midnight clear” is lost
to light pollution
and so for Twelve Days
each village will glow
with Christmas fever…

How should we weigh up
cultural tradition
against the cost to
the environment
– consumerism
out of all control

Let’s strip it all back
to the heart of things
remember that love
is of the essence
and all we need to
light up our landscape…

© Andrew Wilson, 2025

Over at dVerse Poets Pub,  Laura Bloomsbury in Meeting the Bar: Critique and Craft, invites us to paint a poetic tableau using a fixed poetry style entitled The Tableau – created by Emily Romano in October of 2008

Poetry Style:

5 beats/syllables per line

1 or more verses

6 lines per verse

A Tapestry of Trouble…

Two crowds of demonstrators
facing off across double lines
of harassed, interfacing riot police
each crowd spouting the bias
of whichever media feed dogs
have been pushing their buttons
there is much darning (and worse)
as the police struggle to keep
them hemmed in whilst a journo
darts in and tries to buttonhole
some talking heads for the news
needles his victims to say something
outrageous but the crowd gathers
round and rips into the man with
the microphone, who wishes he
was home this Saturday afternoon
taking a nap instead of mining
this admittedly rich seam of
newsworthy division – newsworthy
though hardly novel – politicians
of both sides have been dog-whistling
immigration to whip up votes
for decades – a pattern that no amount
of careful work with a seam picker
– will undo and ease the tensions…

© Andrew Wilson, 2025

Over at dVerse Poets Pub, lillian in Poetics, invites us to use a list of words from the world of sewing, albeit with a different meanings…

Depression

The granites and schists of my dark and stubborn country form the bedrock of woe that has lasted a lifetime, just waiting to poke through the drift that was built up in more active days. The strata built of depositing a family, laying down a career, the metamorphosis from one relationship to another and the occasional intrusion or outflow of molten anger or passion, built a land that seemed impregnable. But tears are relentless and oceans rise and fall, cutting into the margins and then came the ice age of retirement, the weight of ice depressing the whole and stripping all away except that bedrock and leaving even that, scarred and scratched, rounded into the low hills of the bed where I lay and even the black dog has no energy to venture out on the soggy moors that cover the degraded granite hills.

© Andrew Wilson, 2025

“The granites and schists
Of my dark and stubborn country.”

–Nan Shepherd, “The Hill Burns”
from In the Cairngorms (Edinburgh: The Moray Press, 1934)

Over at dVerse Poets Pub, merrildsmith in Prosery, invites us to write a piece of prose poetry in no more than 144 words and using the given quote above. I should say that the subject of this piece is not my experience but that of someone close to me. As a student of Geology (and Geography) I am aware that Scotland, which is where you find the Cairngorms, has had a remarkable persistence through many geological ages and each age has added layers which may subsequently been removed in another geological age – I am not sure whether this does not give an ultimately optimistic view of things even if it requires a timescale in which we humans may turn out to be but a flash in the pan. Anyway, a metaphor suggested itself with this prompt… I hope it does not bring anyone down…

Life Goes On

Heather Cox Richardson sours
my morning with further news
of the outrageous disregard
for law which is building a
classic dictatorship and
encouraging other wannabe
authoritarians around the world.

I leave to do the weeks shopping
my neighbour, supervised
by his wife, is remodelling
a wooden box into a trug
for an exhibition of snowdrops
to be held in February.
Life goes on…

© Andrew Wilson, 2025

Today is Open Link Night over at dVerse Poets Pub which today is hosted by  Björn Rudberg (brudberg)  – a chance to post a poem of our own choice…