Six Degrees of Separation – Wifedom…

Six Degrees of Separation is an excuse to peruse six favourite books linked to an initial offering by our host KateW and eventually link them back to the beginning. Kate W offers us big themes in her choices and since I have been participating, these have included – being adrift in Time, Friendship, Memory, and Romance. This month we have the biographical Wifedom and the theme for me will be that of wives albeit mainly fictional examples – also, three of the books have been adapted for screen…

I have not read Wifedom (as is usually the case with Kate W’s suggestions) but I would like to after reading what Amazon has to say about the book. – At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue.

“I’ve always loved Orwell,” Funder writes, “his self-deprecating humour, his laser vision about how power works, and who it works on.” So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation.

Eileen O’Shaughnessy married Orwell in 1936. O’Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell’s work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells’ marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell’s private life she is led to question what it takes to be a writer—and what it is to be a wife.

A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere.

The Aubrey–Maturin series of novels by Patrick O’Brian have been compared to the works of Jane Austen – exhaustively researched plots drawn from the annals of the British Royal Navy and transplanted into Patrick O’Brian’s fictional Master and Commander series, these books are as equally character-driven as they are portrayals of the events of life in the navy during the years of the Napoleonic wars and I urge anyone who fears such books to be too technical or militaristic, to try them. No better example – beyond the two main protagonists Aubrey and Maturin, than the portrait of the eventual wife of Captain Aubrey – Sophie. The life of any sailor’s wife would be hard and full of fear of her husband never returning, long periods of absence, varying financial fortune and many other forms of uncertainty, but in Sophie we have a wife of heroic qualities to match the vicissitudes heaped upon her – a wife who takes charge of Aubrey’s home life every bit as much as he is captain of his ship at sea! The rather battered cover below depicts Sophie’s first appearance in the series of books alongside her future husband…

Another wife heaped with vicissitudes along with her husband, is Raynor Winn in her autobiographical account of how she and her husband, having lost their house and business due to a treacherous friend and having simultaneous with their homelessness, receive a diagnosis of her husband’s terminal illness. They decide that with nowhere else to go and nothing to be done, they will spend the summer walking the coastal path from Somerset to Dorset around Devon and Cornwall. No spoilers but their endurance trial brings unexpected rewards and Raynors’s support of her husband is exemplary… Below is the very beautiful cover designed by Angela Harding.

If the three wives portrayed so far have been long-suffering, among other things, Cathy in East of Eden, by John Steinbeck, is the one dishing out the suffering, beginning by running away after burning her parents to death – she is a character of pure evil – described as having a “malformed soul”. Steinbeck regarded East of Eden as his magnum opus even though other books are more famous, Cannery Row (previously covered by me), The Grapes of Wrath and that much studied in school – Of Mice and Men. Despite being made into an iconic film featuring James Dean, I venture to suggest that not so many people have read the epic family saga East of Eden. Indeed the film only deals with part of the story and I wonder if Steinbeck would be disappointed that his magnum opus is not the one that time has accorded that accolade to.

The title East of Eden comes from the fourth chapter of Genesis, verses one through sixteen, which recounts the story of Cain and Abel and the whole book – accused by some of being “moralistic” certainly deals with big themes – good and evil, brotherly rivalry, love and depravity and as always with Steinbeck we are treated to a portrait of the life and times in the Salinas Valley, California. There is a saying about writing that “big themes are dead weights” and whilst this is undoubtedly a weighty novel, it is still a great read from a master, even if not his master work…
The cover below makes as sensational a view as it can of the central drama of two brothers torn apart by the inexplicably evil Cathy.

Another painful marriage is depicted in On Chesil Beach by Ian McEwan – an author not renowned for being the most cheerful in his writings, the unfolding of this depiction of a virginal couple on honeymoon in an as yet sexually unliberated 1962, is excruciating in the extreme and yet, such is the quality of the writing – you cannot look away… on Chesil Beach has been turned into a film.

Many of the writers I have covered in my 6 Degrees are writers I read long ago but Nicola Griffiths is a new favourite whose canon I am working through in order, from Ammonite (Lesbian science fiction) to her current amazing historical novels featuring Hild, a powerful woman from Britain’s pre-medieval history. Between these wildly divergent books linked only by their themes of strong women and excellent writing, comes the Aud Torvingen series of which Stay is the second book. Aud is not exactly your typical P.I. as she is a woman of independent wealth but in each of the three books she conducts investigations, willingly or unwillingly and (spoiler alert) – she also falls in love in book one and in book two has to deal with the loss and the grief over her lover. Although Aud does not find the happiness of marriage until book three, Stay is a portrait of a wife thwarted and her response by throwing herself into “a series of physical, moral, and emotional challenges that she has been dodging for weeks, months, and yearsnone of her choices are easy.” What more can we ask from a book…

My last link, slightly tenuously back to Wifedom, is The Fourth Hand by John Irving. It is a tale of a wife who is so dedicated to her husband that – well here is what the Penguin blurb says:- While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant. A married woman in Wisconsin wants to give the one-handed reporter her husband’s left hand, that is, after her husband dies. But the husband is alive, relatively young, and healthy…
The widow supplies permission for the transplant but then demands visitation rights with the hand – a typical thought experiment of a plot from the masterful John Irving. This is the first of John Irving’s books that I have included in 6 Degeees but once discovered, I devoured his early books such as The World According to Garp and several of his books have been turned into films. I recommend some of his later books too, such as Till I Find You about tattoos and tattoo artists. Irving has repeated elements that crop up in many of his books – bears, hotels, wrestling but however far-fetched some of the things Irving writes about may seem to be, they make you think about life in a clever and enjoyable way – no wonder he occupies half a bookshelf of mine!
The link back to Wifedom – the extraordinary connection between and support/dedication of a wife…

Poetry Postcard Fest Follow Up Post 4

The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my first year and hearing about it just in time to register, I was on List 15. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 20 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent and the cards but not the poems you received. I will share these in the order of sending and I will miss out those which I have not yet received in case they arrive soon…
Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…

Dear Darla

There are no baby pictures
to share with you, the grand
-children are grown up and
scattered to the wind
but girlfriends are maturing
and the sound of great grand-
children grows off-stage
waiting in the wings
nascent ready, D.V.
as my mother used to say.
Meantime I offer you
a happy couple and newborn
painted to my prompt
by an AI in the style of
1960’s Ladybird books
are they not divine
too good to be true…

© Andrew Wilson, 2023

And below is the card I received from Darla…


Love Is In the Air…

Love is in the air
and is intoxicating
as the fumes
of brandy in a glass balloon
it wafts beyond the
happy pairs of lovers
rekindling memories
of a younger age
re-living and reeling
with heady recall

Three grandsons now perhaps
have found their matches
and you know when
talk turns to children
and which football tribe
they should be raised in
that these are keepers

I have never been to a match
and been drunk on shared
passion in a huge crowd
but watching a film
whilst waiting to meet
the latest and last to
join the set, we shared
the intimacy of lovers in
Portrait of a Lady on Fire

A camera takes us
to the heart of an orchestra in concert
with a closeness to each player’s
breath and movement
as they embrace their instruments
to pull on our heartstrings
and film likewise grants us
close-ups of couples
we would never see in real life
our neighbours love lives
hidden in semi-detached suburban rooms
separate, unknowable, ineffable
no matter how openly
the rest of our proximate lives
are lived
was it different in the
warm fug of tribal longhouses
lovemaking couples as close
as the next cocooning hammock?

Children don’t care to imagine
their parents making love
imagining they are beyond all that
however deep the love they daily show
and parents don’t dare to imagine
their children either
the perils of the heart
the baton passed
but when love is in the air
for those lucky enough to have
roots deep in the rich soil
of happy parents
there is the hope of
templating happy families to come

Such open-hearted boys
have not escaped without
venturing up blind alleys
at least two have had
songs of heartbreak
loss and bewilderment
plucked painfully
on their heartstrings
before finding their way
safely to harbour in
calmer but still deep water
after storm-tossed seas

I held those boys as babies
drew or close-up photographed
their sleeping faces
turned their living-room
into a fort, cave, nest
or whatever their imagination
could conjure from the
jumble of throws and giant cushions
taught them the love of the pun
witnessed tantrums and triumphs
watched football from the sidelines,
school and scout uniforms
gowns and mortarboards
how could I not be
drawn along in the
wake of their love lives
dropping away like the pilot boat
waving up to the after-deck
as I slow down
and they gather pace
on their own voyages of love

The calmness and Giaconda smile
of one, the bubbling enthusiasm of another
perfume from Morrocco the first impression
throwing one off the scent
of the depths of a doctor
the brightness and humanity
of all of them
grandsons and girlfriends alike
mingling as a family
dancing in ever closer union
my head spins and
my heartstrings resonate
simply on the fumes
as love is in the air.

© Andrew Wilson, 2023

Written unprompted and posted for Björn Rudberg (brudberg) in LiveOpenLinkNight over at dVerse Poets Pub

To Be Pretty For You…

Dear Diary – As a last resort, to be pretty for you I have dropped two seeds of turnsole in the dark of both eyes – I heard it was a natural eye make-up but since my eyes are now red-rimmed from the gritty foreign bodies I discover I was wrong. Turnsole is a naturopathic remedy for conjunctivitis and in failing to prepare it properly I now look like a rabbit with myxomatosis!

To catch your eye I have tried Kohl – which really is an ancient beauty aide, I replaced my ‎L’Oréal eye shadow with a more expensive brand because I felt attracting you was worth more – today I must go to work with naked eyes till they heal up…

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Dear Diary – Today he looked at me, asked if I had been crying – he couldn’t bear it! Then he asked me out!!!

Today’s piece is a response to Sanaa‘s Prosery Prompt over on dVerse Poets Pub to write a story in any genre using just 144 words and including the line “to be pretty for you I have dropped two seeds of turnsole in the dark of both eyes”

© Andrew Wilson, 2023

Poetry Postcard Fest Follow Up Post 3

The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my first year and hearing about it just in time to register, I was on List 15. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 20 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent and the cards but not the poems you received. I will share these in the order of sending and I will miss out those which I have not yet received in case they arrive soon…
Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…

Dear Alexandria

My lovely sister
late of last year
was a large woman
though she didn’t like
the word fat. She had
an enormous appetite
for life, battling on
for three years when they
gave her six months.
One experience
that never tempted her
was to get a tattoo.
A woman tattoo artist told me
when asked about the process
“Ideally,
we like jolly, fat girls!”
Missing her most days…

© Andrew Wilson, 2023

And below is the card I received from Alexandria…

I am not allowed to show you Alexandria’s poem but I am intrigued to know more about it if she sees this post… Like many of the PoPoFest writers, Alexandria is from Seattle where the Fest originates from.

Poetry Postcard Fest Follow Up Post 2

The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my first year and hearing about it just in time to register, I was on List 15. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 20 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent and the cards but not the poems you received. I will share these in the order of sending and I will miss out those which I have not yet received in case they arrive soon…
Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…

Tiny Forests of the Imagination

Dear Jill
You live on a coast
renowned for great trees
and whilst we also have
forests, our trees
are smaller though
no less great.

Sometimes I lie down
on the forest floor
and see towering trees
in the mossy landscape
and carry my imaginings
away in camera
and in mind…

© Andrew Wilson, 2023

And below is the card I received from Jill…

The idea of the poems is generally that they should be epistolary, relate to the image on the front of the card, and – if your card has been received already by the sender (not possible with the first few obviously) – then it might relate to your poem too. I am not allowed to show you Jill’s poem but I can say that it was a lovely poem about Seattle…

Poetry Postcard Fest Follow Up Post 1

The Poetry Postcard Fest is a challenge which encourages poets to write an unedited poem on a postcard and send it to a stranger. Organised by the Cascadia Poetics Lab, who organise the participants into lists of 31 + yourself for you to address your offerings to. This was my first year and hearing about it just in time to register, I was on List 15. The lists are sent out in early July and you have until the end of August to send out your missives – to date I have received 20 of 31 possibles and now that we are into September, it is allowable to share the cards and poems you sent and the cards but not the poems you received. I will share these in the order of sending and I will miss out those which I have not yet received in case they arrive soon…
Although the original poem is to be sent as written – crossings out, blots and all, I have typed them out for people who can’t read my writing and I am allowing myself to edit if I feel like it…

Aliens
Are these alien plants
their blue-green colours
against a permanently pink
Mars-like sky?
No, they are standard pallette
for a contemporary Creatan
landscape gardener
planted against a bold
and untraditional pink
on the gable end of a
lockdown vacant let
between the beach
and the capacious cave where
villagers celebrate fiestas
in normal times.
Evading unlikely police
we are the aliens here…

© Andrew Wilson, 2023

And below is the card that I received from Alison…

The idea of the poems is generally that they should be epistolary, relate to the image on the front of the card, and – if your card has been received already by the sender (not possible with the first few obviously) – then it might relate to your poem too. I am not allowed to show you Alison’s poem but I can say that she probably had received mine and she does reference “a new palette of colours”.

Time Shelter

I try to ration myself for prompts, perturbed by the idea that I will be swallowed in an endless cycle of call and response, but one that I will not miss each month, is 6 Degrees of Separation. Starting from a given title, each reader of books – no matter when they read them, summons six links to form a chain that finally links from and back to the beginning book.

I confess I do not make enough time for reading books, words bound between covers on paper as opposed to screens, though I always have one novel and at least one non-fiction on the go – however slow. I confess that the Poets Pub is often the guilty party in keeping me from the books though I do not blame or object because beautiful, moving or informative as books are, the pleasure of company and connection are better still.

I’m afraid my To Be Read list rarely coincides with the 6 Degrees prompt and only sometimes am I moved to purchase the recommendation, but recently I fell hook line and sinker for Time Shelter. The book is a metaphorical creation of memory clinics where sufferers from certain kinds of memory loss may steep themselves – full-immersion – in a room recreating an era from their past and get the backroads to their lost memories cleared of debris. A few weeks or months in which a loved one comes to life again is worth so much to relatives grieving the loss of someone who is still alive…

Dear Readers – I bought the book! I have no regrets and I recommend it even to poets – no! especially to poets so they may dive into a novel length metaphorical fiction that explores memory and loss, health and sickness and if that sounds depressing, I assure you that Time Shelter, by Georgi Gospodinov is most entertainingly told – and now your turn to confess – when is the last time you read a fiction by a Bulgarian?

This Prose Poem was written for Laura Bloomsbury‘s prompt for  National Buy a Book day over at dVerse Poets Pub

© Andrew Wilson, 2023

Landscapes

Landscapes were always my preserve
lying in my third-hand bath each night
the water clouded by soap
opaque as certain seas
I raised my knees to tower over
the fjord of water between my legs
I didn’t have my later geographer’s
vocabulary of fjords, rias and alps
the drowned and the truncated
alps – shoulders bulldozed by the ice
flanked by hanging valleys
pouring high waterfalls into space
but what’s in a name
I conjured the landscape anyway
Trapped in bed, off school for weeks
bronchitis, chronic
my dappled woolen blanket
(whatever became of that favourite)
also stood in for the freedom to explore.
Raising my knees again
from foothills to mountains at will
and sometimes with toys to hand
I marshalled my ill-assorted troops
into commanding positions
directing wars in my lap
with my fevered bed-bound brain
Before there was watercolour
before there was travel
before I could drive or even ride a bike
Landscapes were always my preserve…

Posted for  lillian in Poetics over on dVerse Poets Pub who set the challenge of taking you on a walk – well not exactly a walk but…

© Andrew Wilson, 2023

The Insecure Writers Support Group – Worry Beads…

This year I have plunged into writing more than ever before – the April A to Z Challenge led to a world of poetry, I recently wrote a deep essay on changing our relationship with the motor car, I am re-working the first draft of a novel and of course, a great deal of my day job, two and a half days a week is spent writing. Also in the course of the year, I encountered through other writers, the Insecure Writers Support Group and then yesterday, the group post announced their twelfth anniversary!

Recently I have been reading Margaret Atwood “on”On Writers and Writing” and in an early chapter, she writes about the duality of writers – how there exists “the one who writes and the one who lives” and she explores the inevitable tensions that having such a split induces – the Jekyll and Hyde nature of the beast. I write because I am driven internally to do so, but externally, my partner is going through a difficult time which means that staying close to her, there is a lot of time which I fill with writing.

I have no illusions about publishing work – I once heard the statistic that 4000 novels are written for each one published. That may have changed in a digital age when self-publishing is ever easier – even if it is only on your blog. Still, whilst I am now polishing a second draft of a speculative novel, the act of passing through the stages of the journey towards publishing has a zen of its own. I am not saying that there is no anxiety about whether a piece of writing is “good enough”, or whether people will like my latest poem but for me, travelling hopefully is as important as arriving…

I left Ireland to return to the UK in 2005 but not before my late sister Carol, had rekindled my joy in writing by taking me to an in-person writing group in Sligo. A first novel was started (and is still in progress) and a second more straightforward one is that which I am revising, and so I thank Carol for that gift and I dedicate the following poem – the product of an online and ongoing writing group and I offer it towards the Insecure Writers Support Group and its anniversary since it is appropriately entitled “Worry Beads”. Back in July, it was also the 12th anniversary of dVerse Poets Pub so 2011 must have been an inspired year for poets – anyway, I posted a poem for their celebration here.

Worry beads…

The state of the nation
is held in abeyance
holding it’s breath till the next election
the polls show a twenty point
Labour lead – but I worry
they still might lose
and if they win I worry too
they may not be different enough
having posed in the centre
to avoid alienating anyone.

I worry that my grandchildren
All young adults flown the nest
may not be able to buy a
house of their own, their own nest.
The doctor and his bright partner
will earn enough but will the rapper
find his way high enough
to have financial success
or will he fall like a spent rocket
to a job supporting other’s dreams
I believe he too worries
although it doesn’t slow him down.
The oldest by some years
has already built several businesses
and not anchored by children
only cats and cake-making
he and his girlfriend will
go to America again and again
and one day they won’t come back.

I worry that despite all help
my spouse will not
find her way out
of the deep, dark past
where she is lost in the labyrinth
and no breadcrumb trail
to lead her back to the light.
As I keep her shell company
in front of the TV
I do not take enough exercise
already impeded by a lame leg
I know it cannot be wise
and I will shorten my natural span
which after all
is only two years short
of three-score years and ten.

I write to keep a space for me
And to reach out to new friends
across the digital ether
but pushing a pen is not the same
as pushing through the wall and
I do not want to be found
one day slumped across a keyboard
mid-virtual conversation.

Still, on a scale of one to ten
my worries rate quite low
I have made marks both
in the world, in certain hearts
and in minds too
the legacy of things
is not as vital as a lot of love.

And so I write for love
not glory, the oldest profession
is surely to tell a good story
and whilst I love to get good feedback
if I don’t get published,
will I really worry?

© Andrew Wilson, 2023