HG Wells

  If you have been following this blog’s A2Z Challenge then you will know that I have been trying to finish a novel, “Train Wreck”, and publishing a chapter below each post – at least until day 15 when I ran out of completed chapters – there is another one in progress – but if you have been following the novel and would like to receive the balance of the chapters – let me know in a comment. Meanwhile, Utopia is a central theme in the book…

I looked at how the desire for someone to be living a Utopian existence, led us to project the idea onto Scandinavian countries under my entry for S, and how we have eventually discovered that they have feet of clay like the rest of us. But what exactly is a Utopia and must we always be doomed to disappointment?

The word Utopia was coined by Sir Thomas More for his 1516 book of that name  describing a fictional island society in the south Atlantic Ocean off the coast of South America. The term has come to be used as a synonym for “deluded”, “impossible” or “far-fetched” and it has a counter term Dystopia. The very SciFi picture at the top, comes from a blog piece that argues for the additional idea of a False Utopia – one which initially appears Utopian but hides a dark secret. An example of this would be HG Wells’ “The Time Machine” where the happy, beautiful people living their utopian life above ground, are in fact fodder for the Morlocks who live underground.

The Wikipedia article on Utopias suggests that whilst mainly a literary endeavour, thought experiments if you will, Utopias can be the subject of real-world experiments too but quotes Lyman Tower Sargent who argues that “the nature of a utopia is inherently contradictory because societies are not homogeneous and have desires which conflict and therefore cannot simultaneously be satisfied”. In other words, to offer equality to all people – a fundamental aim of the Utopian dream – you cannot offer the same thing to all people because they are different.  Lyman Tower Sargent further states “There are socialist, capitalist, monarchical, democratic, anarchist, ecological, feminist, patriarchal, egalitarian, hierarchical, racist, left-wing, right-wing, reformist, free love, nuclear family, extended family, gay, lesbian and many more utopias…”

We tell stories, I believe, as a fundamental aspect of our human nature – a consequence of our big brains. For if we can deduce “Those are lion tracks, they were made three days ago and there was a cub too, so a lone female, with a limp – so wounded…) then we can also put together a story which is completely made up, because both the deduction and the fiction require the use of our big-brain imagination. So in telling Utopian stories, we are trying to imagine a better way to live, one which will reconcile the flaws in human nature and the contradictions those flaws create in the real world.

Are we wrong to keep trying to visualise Utopias? Of course not, our human nature might remain essentially the same but our superficial circumstances change all the time and we must constantly re-envision utopian possibilities…

“Train Wreck” is just another Utopian experiment imagined and described and then traversed to uncover its inevitable flaws and contradictions – but I hope, that in the tradition of HG Wells, my SciFi tale is a good enough story to be worth the reading…