A Tale of Two Trips…

We travelled twice to Crete
once was a holidayof two weeks
once was something different for six months.
The first time we stayed with
my sister-in-law and her partner
who gave up their bed
for her sister and I.

We hired a car
and left him to his work
and her to hers
rescuing cats
thankless by Cretans
and we travelled that corner of Crete
the lofty coast road south to Sitia
great banks of flowering shrubs
in their pomp
painting our way
giving glimpses of the empty sea
blue below.
Returning, the sunset meal
above a dizzying drop
down to the sea
and opposite the entrance
the coolest water flowing silently
into a trough
out of the heart of the mountain.
We gazed in awe at the Ha Gorge
where only younger people
in wetsuits might slide down
from pool to pool
and then not without risk
to life and limb.

In the year of the pandemic
in September, the disease settling in
for the long haul and we
periodically locked down
made an escape before borders
clanged firmly shut
at the sister-in-law’s suggestion
because Crete had no cases
and the winter would be warmer
than that in England
and we could keep company
installed in a winter vacant flat next door.
Two weeks in
Crete locked down
with a decisive severity
at odds with England’s ‘s Boris led
shilly-shallying silliness
even though Crete was almost Covid free
and England certainly was not!

The winter, as promised
as warm as an English summer
as befits a country
a mere stone’s throw from Africa
with only the occasional storm
thundering around the many mountains.
Oh! We had a grandstand view
from our apartment in Elounda
the sun bursting up across the bay
the evening light rendering
the mountains purple and gold
so crisply shadowed
you felt you could reach out
across twenty miles
and touch their roughness
where they fought
a losing battle against the elements
solid slabs descending into slopes of scree.

But when all was said and done
we were trapped in a gilded cage
on a short leash at best
allowed to local shops
suitably masked and sidestepping
others in a semblance of social distancing
but longer trips forbidden
more living but less sightseeing.

And yet…
on my solitary exercise walks
down to the two town supermarkets
I watched the tiny Cretan olives
ripen to purple-blackish bloom
the family bubbles
spread the nets beneath the trees
and mechanically flail
the harvest to the ground
afterward – pruning-burning bonfires
raising columns of smoke
all over the island
and eventually I saw
the tiny olive flowers
blossom to make next year’s crop
sights you wouldn’t see
on a two-week holiday.

My reward when I reach the town
a masked conversation
with the supermarket’s owner
at her checkout
an unexpected Pink Floyd superfan
telling of a last ticket
last minute flight
to see the group play
an ancient Athens amphitheatre
whilst I exchange a treasured memory
of the week I worked for the group
in the run-up to the premiere of The Wall
my bucket list never saw that coming!
I add the memories
and many photos
to my store.

We do not look back on it
as a holiday
more time served
under lockdown
albeit in a beautiful cell
and though we can say
we lived in Crete for six months
it was not life as we know it…

Posted for dVerse Poets Pub to the prompt Vacation. We don’t use the word vacation so much as holiday if I may be permitted…
© Andrew Wilson 2023

P is for Pandemic Dramas…

This post is part of the A to Z 2020 Challenge. I have decided to theme the posts around personal and societal responses to the Covid 19 crisis, including my resumption of Blogging!

Déjà vu

I haven’t been to America but I always imagine I would be constantly beset by déjà vu – so much have we seen on screen – tv and films. I find it is much the same with the present crisis, there have been so many films set in a post-apocalyptic world following a pandemic. So here is a personal and very partial selection.

Friends tell me that Netflix’s new docu-drama series eponymously named Pandemic, bears a striking resemblance to current events but not having seen it yet – for me, the classic series is the 1975 The Survivors in which feral survivors fight for survival in a body strewn world. The credit sequence in black and white begins with a scientist dropping a flask in some Porton Down like place and then passport stamps chart the progress of the virus across the world intercut with shots of the airliners carrying the people spreading it.

Even earlier from 1972, The Omega Man with Charlton Heston, which I saw when I worked as a projectionist at the Ritzy Cinema, Brixton (best ever job),
might be the one of the sources of zombie movies – Heston plays the sole survivor of a plague and desperately searching for a cure…

Another “search for a cure for out of Africa/ animal crossover/ conspiracy” movie is 1995’s Outbreak – an edge of the seat killer virus thriller also given the full Hollywood star treatment.

Twelve Monkeys also contains star performances from Bruce Willis and Brad Pitt in a time-traveling meets virus conspiracy theory. But though superbly if complexly made by Terry Gilliam, this was inspired by an odd, shortish film form France, made up of a narration over still photographs La Jetée. Twelve Monkeys takes a couple of viewings to fully grasp it (but worth it because of the superb performances) but if you get the chance to see La Jetée – don’t miss it.

Finally, a very European film (read too slow and not enough action for most American audiences) -2017’s Bokeh. Filmed in Iceland, a young American couple find that everybody else, seemingly in the whole world, has vanished and the film charts the gradual breakdown of their relationship under the pressure of being “(If) you were the only girl in the world, and I was the only boy…”