False Dawn to Sunrise…

At five, I wake with the false dawn
the call of nature at three
an hour of chasing Morpheus
two hours of fitful sleep
haunted by the illusion of wakefulness
the battle is lost to the new day
and I rise before backache sets in
who needs more than six hours sleep anyway

Seen from space
the line between night and day
looks sharp enough
but on the ground
the scattered rays of the coming sun
diffuse through the atmosphere
gradually dissolving the dark
and banishing ancient and childhood fears

Finally the buildings opposite
lose their grey and acquire a yellow tinge
that brightens to ruddy Welsh gold
as the sun peeps over the horizon
and for a moment, filtered by atmosphere
we can behold the true god
whose gravity rules the solar system
sustaining life through the burning up of its body

Children may sleep through
the transition from night to day
but as we age, the need for sleep diminished
the penumbra of consciousness and light attune
and though we may lie next to another
we awaken alone in the liminal space
that exists between false dawn and sunrise
before we rise – another day to face…

© Andrew Wilson, 2024

Over at dVerse Poets Pub, Laura Bloomsbury in Meeting the Bar: Critique and Craft, challenges us to write about Dawn writing in the poetry style of the A L’Arora, a form created by Laura Lamarca:

  • 4 stanzas (or more)
  • 8-lines per stanza (can split with line break after 6)
  • only lines 6 & 8 are to rhyme as x,x,x,x,x,a,x,a; x,x,x,x,x,b,x,b etc
  • no syllable count per line

Poetry Subject: Lamarca’s A L’Arora derives from “Aurora” – Italian for “dawn”

Bread and Apples

Over at dVerse Poets Pub, kim881 in Poetics was interviewing Sarah Connor a long-time member of the Pub. I never had the privilege of  writing to one of Sarah’s prompts but it is clear from the interview and from the fragments of Sarah’s poems chosen by Kim, that it would indeed have been a privilege and so I hope to honour her with this poem
The italicised lines are from Sarah Connor’s poems “Apple” and “ ‘No mail – no post

There is a wholesomeness to apples
I used to say I could live
on bread and apples alone
but diabetes now rules
my diet – fruit sugar is
still sugar nevertheless
and most bread, though staff of life
creates a sugar spike for
which I must later atone.

If weather be kind, apples
fill out from flower-size fruit
the white flesh crisp, fine-grained
though Discovery surprises –
the flesh by red skin stained
the taste a fizz of champagne
I must now sip one by one
no longer scoff by the pound.

Sourdough is the only bread
eaten in moderation
some secret from its magic
starter’s generation
baton passed from batch to batch
less sugar, less spike it’s said
and there is more flavour too
yeast fed on the flour itself.

And as a poet, I hope,
just this blank space – this white page
will be fleshed out with words –
the starter of my poesy
will slowly feed on today’s
thoughts and swell the dough, my loaf
which baked on the page will raise
a wholesome, healthy poem.

© Andrew Wilson, 2024

You Will Leave a Lacuna…

…And while thy willing soul transpires

Willing! You think me willing?
And that my soul transpires…
T’were nearer the mark to assert
my body glows with rage

At every pore with instant fires,

Blushes at first
when I your base desires
didst early espy but soon
‘twas anger coloured my face

Now let us sport us while we may

Sport you say
with you the hunter
and no doubt I the prey
but you have made me furious

And now, like amorous birds of prey,

I refer you to my previous stanza
furious not amorous
– we or I at least – are not animals
forever chasing food or mating

Rather at once our time devour

You see you even now confuse
the act of mating
with that of eating
but I will not join you at your table

Than languish in his slow-chapped power.

An age at least
would be too long
to tarry in your lascivious presence
in fact I will not waste another hour

Let us roll all our strength and all
Our sweetness up into one ball,

My strength will henceforth
be employed in resisting
your siren call
and enjoying sweet silence
when you are gone

And tear our pleasures with rough strife
Through the iron gates of life

Oh snake I see you now
taking my maidenhood
with rough strife
no thought to later
make me your wife…

Thus, though we cannot make our sun
Stand still, yet we will make him run…

Enough! Begone you tiresome poet
you can’t try your wiles on a Yorkshire girl,
a girl from Hull – and you should know it
and yet…
when you are gone…
you will leave a lacuna…

© Andrew Wilson, 2024

Image generated in Midjourney

We studied the poet Andrew Marvell at school and I suspect that more than one of us callow youths committed the poem “To His Coy Mistress” to heart in case these lines of seduction might someday prove useful in our own future seduction attempts…
Having just watched Bridgerton, Season 3, I was perhaps channelling the feisty women challenging the rather weaker men in reframing this response to lines from the poem.

Written for  Laura Bloomsbury in Meeting the Bar: Critique and Craft over at dVerse Poets Pub, who tonight challenges us to elaborate on a fragment of up to 13 lines from another poem – to “Elaborate Lacunae in the Fragment or Keeping Things Whole

Ten Second Theatre

Driving up the hill
through the village
a ten second drama
plays out to my right
– a baby boy
comfortable in the crook
of his grandmother’s arm
receives a hurried kiss
from his mother
as she turns to walk down
the hill to the bus stop
the baby stretches out his arm
towards his departing mother
once more going to work
more bewildered than upset
but his grandmother
steps back indoors
before possible tears
leaving the pavement empty…

© Andrew Wilson, 2024

Image produced in Midjourney

Over at the dVerse Poets Pub,  dorahak is hosting Poetics and invites us to write about Liminal spaces using one of the following senses of the phrase.

In general, a liminal space can be looked at in three ways:

1) as an empty structural space (an overgrown, ruined fairground, shuttered department store once familiar like K-Marts here in the U.S., an abandoned shopping center or mall, a silent nighttime hotel corridor); OR

2) as a place of transit (a hotel lobby, an airport terminal, or a parking garage, gas/petrol station or a city street at night); OR

3) a passage in a more abstract sense, e.g., New Year’s Eve, a decade’s close, a birthday, anniversary, or holi(holy)day.

Let there be light…

People talk about writer’s block
– about being over-faced
by the blank page
but to sit down with a blank page
and pick up your pen is to
dive into the liminal space
through the portal of the page
breaking the smooth surface
making a splash
wearing the threads
of previous thoughts
oft rehearsed but still
essentially, feeling naked

We swam in the waters of
Mahon harbour on a night when
the little side bay was filled
with phosphorescence
took a hand full of water and
slowly released it back into the main
and in our hands
and in the falling water
individual creatures gave forth a
tiny burst of light.
but swimming through their midst
the lights coalesced
into a ghostly glow around our bodies
all semblance of individual
creatures, words or events
subsumed into the glow

Later rowing our cockleshell boat
we traced our path with
pools of light left in our wake
where the oars had dipped in
and disturbed the
creatures distributed
in the depth beneath
motion was transformed into light
pale radium green, glowing
under the Mediterranean sky
– and to think
these motions are
always present
the glow – the pools of
light even when we can’t
see them – blinded by
the greater light of day.

The light of luminescence lives
in my mind as a memory
fixed by processes
still unfathomable to
the very minds that
try to comprehend
– axons and nuclei
and who knows what
– as ungraspable as those tiny
light-emitting creatures
like words on a page they
appear unpredictably
have their moment
and disappear into
the stream of time
into the past
as we authors swim
across the portal
climb out on the
other side of the pool
and only then
turn and look at
the patches of
light we have left in our wake
astounded at the
words filling the blank page…

© Andrew Wilson, 2024

Tonight is Open Link Night over at dVerse Poets Pub and  msjadeli  is our hostess. I wrote this in my AWA writing group a few weeks ago and it seems to follow on from my post before last – contemplating the process of poesie…

Lovers’ Eyes

She feels the eyes
of women who’ve loved her
adorning each part of her…

© Andrew Wilson, 2024

Artwork by Catrin Welz-Stein

Tonight, our host over at dVerse Poets Pub is lillian in Poetics who, feeling nostalgic on the occasion of her 8th anniversary hosting at the bar, has resurrected for the third time, an ekphrastic prompt provided by the artist Catrin Welz-Stein. Catrin has enjoyed providing the inspiration for the pub-goers twice before and enjoys the interaction. I picked one of the four pictures which Catrin kindly allowed us to use…

Reading Aloud…

I like to read out loud
to turn tiny marks
regimented on the page
from text to sound
filtered through eyes that read
brain to comprehend
a mouth that shapes my voice.
Poetry or prose the
writer laid words down
wrapped round meanings
all their own but
which we readers too
may catch and breathe
out into space between
mouth and ear
reader and listener.
Even reading aloud alone
brings out meaning, makes it clear
and once peeled from the page
I sit and let the words hang there…

© Andrew Wilson, 2024

Artwork by Catrin Welz-Stein

Tonight, our host over at dVerse Poets Pub is lillian in Poetics who, feeling nostalgic on the occasion of her 8th anniversary hosting at the bar, has resurrected for the third time, an ekphrastic prompt provided by the artist Catrin Welz-Stein. Catrin has enjoyed providing the inspiration for the pub-goers twice before and enjoys the interaction. I picked one of the four pictures which Catrin kindly allowed us to use…

Can’t Stand the Rain…

We sit under the tin roofed veranda
as far back from the splattering waterfall
falling from the rusty edge
into the sodden road before us

Every few minute the dog
keeping us company “ahems”
or “harrumphs” to express his
boredom and disapproval of
the ceaseless deluge.

The drip-drip intensifies
to a rat-tat-tat
heralded with a crack
of lightning overhead

The dog whines and
covers his eyes with a paw
yet peeping out spots
a desperate rat swimming past
a deep throated growl precedes

his leaping forth with a splash
the dog obscures his target
frantic ripples quickly
flattened by the rain

Returning to our side
shivering and shuddering
the dog slinks away at a shout
from the house owner – our host
No good stray he mutters

Tina Turner’s singing
I Can’t Stand the Rain
is now an earworm
the novelty of monsoon washed away…

© Andrew Wilson, 2024

Over at the Poets Pub our host Björn Rudberg (brudberg) in Meeting the Bar: Critique and Craft challenges us to write using as much Onomatopoeia as possible to enhance the sound of our poem…

Alice Blue Gown

I fell in love with Alice
no, not Alice in Wonderland
nor through the looking glass
though this Alice famously
admired her reflection
in shop windows
as she walked down the town.

She was not the girl next door
eponymous heroine of the
bereft Smokie who
could not face a life without her
nor the Alice in the driving
White Rabbit pounded out
by Jefferson Airplane –
rather it was
the plaintive harmonies
of the McGarrigle sisters
reviving a parlour song
about a young girl
wearing her favourite blue gown
for the first time.

Little did I know that
this Alice was no homely teenager
but an American Princess
daughter of a President
denied her name for the tragic
loss of her mother due to childbirth
her father, Teddy, unable to bear
his newborn daughter’s namesake
she was condemned to be called
Baby Lee until years later
her father soothed by
a new wife and five more children.

A feisty girl and woman
Alice Roosevelt smoked
and shot at Telegraph poles
from moving trains
but I prefer to think of
the gentler image of
the girl in the song in her
Alice Blue Gown
Till wilted I wore it
I’ll always adore it
My sweet little Alice blue gown…”

© Andrew Wilson, 2024

Alice Roosevelt was larger-than-life character whose story you can read here. Many notable witticisms are attributed to her.

Written for dVerse Poets Pub Posted by merrildsmith in Poetics

Magic 9 and the A-Z

                       I

In April the Challenge is A-Z
other writing takes a back seat
writing my blog fills my head
and for this year I double dipped
two A-Z themes I interbred
 –  I wrote about Commodities and
with a poem drove home what I said
but now the challenge is complete
it’s normal service in my head…

                       II

Back to the novel and down to the
pub – the dVerse Poets Pub that is
to virtual friends, poets all like me
it’s not, however, all about the likes
but novels, blogging or poems we
certainly desire to be well-read
but truly I must write for me
the itch induces constant scratches
– if that is you too please comment and like me…

© Andrew Wilson, 2024

This picture was first posted with a poem to celebrate the 12th Anniversary of the Poets Pub

Written for Grace in Poetry Forms over at dVerse Poets Pub who today invites us to use the Magic 9 poetic form whose rhyme scheme is derived from the word abracadabra – I have taken the liberty of using the form as a stanza form as I wasn’t done after a mere nine lines…

You can find my A-Z on Commodities with 26 poetry forms via the button at the top of the page and more of my poems via the Poems button.