Can’t Stand the Rain…

We sit under the tin roofed veranda
as far back from the splattering waterfall
falling from the rusty edge
into the sodden road before us

Every few minute the dog
keeping us company “ahems”
or “harrumphs” to express his
boredom and disapproval of
the ceaseless deluge.

The drip-drip intensifies
to a rat-tat-tat
heralded with a crack
of lightning overhead

The dog whines and
covers his eyes with a paw
yet peeping out spots
a desperate rat swimming past
a deep throated growl precedes

his leaping forth with a splash
the dog obscures his target
frantic ripples quickly
flattened by the rain

Returning to our side
shivering and shuddering
the dog slinks away at a shout
from the house owner – our host
No good stray he mutters

Tina Turner’s singing
I Can’t Stand the Rain
is now an earworm
the novelty of monsoon washed away…

© Andrew Wilson, 2024

Over at the Poets Pub our host Björn Rudberg (brudberg) in Meeting the Bar: Critique and Craft challenges us to write using as much Onomatopoeia as possible to enhance the sound of our poem…

Rain! My love…

Gustav Klimt. Golden Rain, Danaë (1907)

Zeus raped, as rain so golden
A maiden
Climactic floods ravish the plain
In Spain
Whilst others crave rain from above
Like love

Rain will not send forth a white dove
Become like a fickle mistress
Leaving her lover in distress
A maiden in Spain likes love…

Written for Laura Bloomsbury’s prompt in dVerse Poets Pub:-

So today being the 10th day our poetry is to be crafted in the style of the Spanish Ovillejo which comprises 10 lines broken into two sub stanzas thus:

  • first stanza is composed of six lines
  • three rhyming couplets
  • the rhyme scheme is aabbcc
  • 8/3 syllables per couplet
  • each couplet is a question/answer or echo
  • second stanza is composed of four lines
  • rhyme scheme cddc
  • 6-8 syllables for the three lines* (I’ve seen a range of syllables used).
  • the final line combines lines 2, 4, and 6 together.

© Andrew Wilson, 2023